It fills several compartments of a glass case that stands in the centre
of the historic hall. At first we note a large gold mask, unfortunately
damaged, and grouped near it gold chains with five and eight strands
of extraordinary suppleness and perfection; amulets of various shapes
in felspar, red and green jasper, and cornelian; scarabs, a buckle,
an olive, a little column, in the name of Khâmoîsît. A little farther
on a second series from the same source includes pieces, if not in
themselves more finished, more curious and more attractive to a modern
eye; the Lord Psarou, who was present with the prince at the funeral of
an Apis, did honour to the mummy of the sacred bull. I imagine that the
greater number of our contemporaries have but vague notions regarding
the way in which the Egyptians wore jewels. Men or women, their costume
at first was summary enough: the men protected their loins with a cloth
which scarcely reached the knee and left the bust entirely bare; the
women crept inside a clinging smock which reached the ankle, went up to
the pit of the stomach, disclosed the breast, and was kept in place by
two straps over the shoulders. Jewellery served partly to hide what the
stuff left uncovered, at least with the women. A necklace of several
rows encircled the neck and came down to the rise of the breasts; large
rings were round the wrists, the upper part of the arm, and the
lower part of the leg. The hair, or rather the wig, clothed the back
and half the shoulder; a square plaque suspended by a chain of beads
or a leather strap hung down below the necklace into the space between
the two breasts. That is what we call the pectoral. It often looks like
the façade of a temple, surrounded by a torus, and surmounted by a
curved cornice; portraits of gods or sacred emblems were crowded on the
surface, and inscriptions scattered everywhere tell us the name of the
owner, accompanied generally by pious formulas.
[Illustration: EGYPTIAN JEWELLERY OF THE XIXTH DYNASTY.
The Louvre.]
[Illustration: GOLD PECTORAL INLAID WITH ENAMEL.]
Public-domain text, read in full here on John Shaqi.
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