The contest about the original benevolence or malignity of man had not yet
commenced. Speculation had not yet attempted to analyse the mind, to trace
the passions to their sources, to unfold the seminal principles of vice
and virtue, or sound the depths of the heart for the motives of action.
All those enquiries, which from that time that human nature became the
fashionable study have been made sometimes with nice discernment, but
often with idle subtilty, were yet unattempted. The tales with which the
infancy of learning was satisfied, exhibited only the superficial
appearances of action, related the events, but omitted the causes, and
were formed for such as delighted in wonders rather than in truth. Mankind
was not then to be studied in the closet; he that would know the world,
was under the necessity of gleaning his own remarks, by mingling as he
could in its business and amusements.
Boyle congratulated himself upon his high birth, because it favoured his
curiosity, by facilitating his access. Shakespeare had no such advantage;
he came to London a needy adventurer, and lived for a time by very mean
employments. Many works of genius and learning have been performed in
states of life that appear very little favourable to thought or to
enquiry; so many, that he who considers them is inclined to think that he
sees enterprize and perseverance predominating over all external agency,
and bidding help and hindrance vanish before them. The genius of
Shakespeare was not to be depressed by the weight of poverty, nor limited
by the narrow conversation to which men in want are inevitably condemned;
the incumbrances of his fortune were shaken from his mind, _as dew-drops
from a lion’s mane_.
Though he had so many difficulties to encounter, and so little assistance
to surmount them, he has been able to obtain an exact knowledge of many
modes of life, and many casts of native dispositions; to vary them with
great multiplicity; to mark them by nice distinctions; and to shew them in
full view by proper combinations. In this part of his performances he had
none to imitate, but has himself been imitated by all succeeding writers;
and it may be doubted, whether from all his successors more maxims of
theoretical knowledge, or more rules of practical prudence, can be
collected, than he alone has given to his country.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account