I am inclined to think, this opinion proceeded originally from the zeal of
the Partizans of our Author and _Ben Johnson_; as they endeavoured to
exalt the one at the expence of the other. It is ever the nature of
Parties to be in extremes; and nothing is so probable, as that because
_Ben Johnson_ had much the more learning, it was said on the one hand that
_Shakespear_ had none at all; and because _Shakespear_ had much the most
wit and fancy, it was retorted on the other, that _Johnson_ wanted both.
Because _Shakespear_ borrowed nothing, it was said that _Ben Johnson_
borrowed every thing. Because _Johnson_ did not write extempore, he was
reproached with being a year about every piece; and because _Shakespear_
wrote with ease and rapidity, they cryed, he never once made a blot. Nay
the spirit of opposition ran so high, that whatever those of the one side
objected to the other, was taken at the rebound, and turned into Praises;
as injudiciously as their antagonists before had made them Objections.
Poets are always afraid of Envy; but sure they have as much reason to be
afraid of Admiration. They are the _Scylla_ and _Charybdis_ of Authors;
those who escape one, often fall by the other. _Pessimum genus inimicorum
Laudantes_, says _Tacitus_: and _Virgil_ desires to wear a charm against
those who praise a Poet without rule or reason.
——Si ultra placitum laudarit, baccare frontem
Cingito, ne Vati noceat——.
But however this contention might be carried on by the Partizans on either
side, I cannot help thinking these two great Poets were good friends, and
lived on amicable terms and in offices of society with each other. It is
an acknowledged fact, that _Ben Johnson_ was introduced upon the Stage,
and his first works encouraged, by _Shakespear_. And after his death, that
Author writes _To the memory of __ his beloved Mr._ William Shakespear,
which shows as if the friendship had continued thro’ life. I cannot for my
own part find any thing _Invidious_ or _Sparing_ in those verses, but
wonder Mr. _Dryden_ was of that opinion. He exalts him not only above all
his Contemporaries, but above _Chaucer_ and _Spenser_, whom he will not
allow to be great enough to be rank’d with him; and challenges the names
of _Sophocles_, _Euripides_, and _Æschylus_, nay all _Greece_ and _Rome_
at once, to equal him: And (which is very particular) expressly vindicates
him from the imputation of wanting _Art_, not enduring that all his
excellencies shou’d be attributed to _Nature_. It is remarkable too, that
the praise he gives him in his _Discoveries_ seems to proceed from a
_personal kindness_; he tells us that he lov’d the man, as well as
honoured his memory; celebrates the honesty, openness, and frankness of
his temper; and only distinguishes, as he reasonably ought, between the
real merit of the Author, and the silly and derogatory applauses of the
Players. _Ben Johnson_ might indeed be sparing in his Commendations (tho’
Public-domain text, read in full here on John Shaqi.
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