the various readings and of the corrected passages are authorised (most of which are such as carry their own evidence along with them). These Editions now hold the place of Originals, and are the only materials left to repair the deficiences or restore the corrupted sense of the Author: I can only wish that a greater number of them (if a greater were ever published) may yet be found, by a search more successful than mine, for the better accomplishment of this end. I will conclude by saying of _Shakespear_, that with all his faults, and with all the irregularity of his _Drama_, one may look upon his works, in comparison of those that are more finish’d and regular, as upon an ancient majestick piece of _Gothick_ Architecture, compar’d with a neat Modern building: The latter is more elegant and glaring, but the former is more strong and more solemn. It must be allow’d that in one of these there are materials enough to make many of the other. It has much the greater variety, and much the nobler apartments; tho’ we are often conducted to them by dark, odd, and uncouth passages. Nor does the Whole fail to strike us with greater reverence, tho’ many of the Parts are childish, ill-plac’d, and unequal to its grandeur. LEWIS THEOBALD: PREFACE TO EDITION OF SHAKESPEARE. 1733. The Attempt to write upon SHAKESPEARE is like going into a large, a spacious, and a splendid Dome thro’ the Conveyance of a narrow and obscure Entry. A Glare of Light suddenly breaks upon you beyond what the Avenue at first promis’d: and a thousand Beauties of Genius and Character, like so many gaudy Apartments pouring at once upon the Eye, diffuse and throw themselves out to the Mind. The Prospect is too wide to come within the Compass of a single View: ’tis a gay Confusion of pleasing Objects, too various to be enjoyed but in a general Admiration; and they must be separated, and ey’d distinctly, in order to give the proper Entertainment. And as in great Piles of Building, some Parts are often finish’d up to hit the Taste of the _Connoisseur_; others more negligently put together, to strike the Fancy of a common and unlearned Beholder: Some Parts are made stupendously magnificent and grand, to surprize with the vast Design and Execution of the Architect; others are contracted, to amuse you with his Neatness and Elegance in little. So, in _Shakespeare_, we may find _Traits_ that will stand the Test of the severest Judgment; and Strokes as carelessly hit off, to the Level of the more ordinary Capacities: Some Descriptions rais’d to that Pitch of Grandeur, as to astonish you with the Compass and Elevation of his Thought; and others copying Nature within so narrow, so confined a Circle, as if the Author’s Talent lay only at drawing in Miniature.