English literature -- 18th century -- History and criticism; Great Britain -- Intellectual life -- 18th century
|AMONG its many drawbacks controversy has this in particular, that it
sometimes embroils us with our closest friends. Writing recently of Lord
Chesterfield, * we found occasion to comment upon certain couplets which
the poet of the 'Progress of Error' addressed to his Lordship concerning
his celebrated 'Letters.'
* See ante, p. 192.
What was said amounted to no more than that Cowper, in this instance at
least, had not proved himself a Juvenal,--a sentiment which, seeing
that his accredited biographer, Mr. Goldwin Smith, accuses him, as
a satirist, of brandishing a whip without a lash, could scarcely be
regarded as extravagant condemnation. Not the less, it has lain sorely
upon our conscience. Of all the lettered figures of the eighteenth
century, none is more dear to us than the gentle recluse of the sleepy
little town by the Ouse. What!--the captivating letter-writer, the
inventor of the immortal 'John Gilpin,' the delightful 'diva-gator' of
the 'Task' and the tea-urn, the kindly proprietor of those 'canonized
pets of literature,' Puss and Bess and Tiney--how, upon such a theme,
could one excusably utter things harsh or censorious! It is impossible
to picture him, when the curtains had fallen over those two windows,
that looked upon the three-cornered market-place at Olney,--his head
decorated (it may be) with the gaily ribboned cap which had been worked
for him by his cousin Lady Hesketh, * his eyes milder than they seem in
Romney's famous portrait, and placidly reading the 'Public Advertiser'
to the click-click of Mrs. Unwin's stocking-needles,--without being
smitten by a feeling of remorse. And opportunity for the expression of
such remorse arrives pleasantly with an old-fashioned _octavo_ which
supplies the pretexts for a palinode in prose.
* A writing-cap worn by Cowper, his watch, a seal-ring given
to him by his eousin Theodora (his first love), and a ball
of worsted which he wound for Mrs. Unwin, were among the
relics exhibited in the South Gallery of the Guelph
Exhibition of 1891. The exhibitors were the Rev. W. Cowper
Johnson, and the Rev. W. Cowper Johnson, jun.
Its title, 'writ large,' is 'Cowper, illustrated by a Series of Views,
in, or near, the Park of Weston-Underwood, Bucks;' and it is lavishly
4 embellished' with those mellow old plates which denote that steel had
not yet supplanted copper. The artists and engravers were James Storer
and John Greig, topographical chalcographers of some repute in the
days of conventional foregrounds, and trees that look like pressed-out
patterns in seaweed. But the 'picturesque' designs give us a good idea
of the landscape that Cowper saw when he walked from Silver End at
Olney to his friends the Throckmortons (the 'Mr. and Mrs. Frog' of his
letters) at Weston House. Here is the long bridge of 'The Task,'=
```'That with its wearisome, but needful length,
```Bestrides the wintry flood'=
Public-domain text, read in full here on John Shaqi.
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