Eighth Annual Report of the Bureau of Ethnology: to the Secretary of the Smithsonian Institution, 1886-1887, Government Printing Office, Washington, 1891
History
Eighth Annual Report of the Bureau of Ethnology: to the Secretary of the Smithsonian Institution, 1886-1887, Government Printing Office, Washington, 1891
Navajo Indians -- Rites and ceremonies; Pueblo Indians -- Antiquities; Pueblo architecture
The rarity of covered passageways in this village is noteworthy, and
emphasizes the marked difference in the character of the Tusayan and
Zuñi ground plans. The close crowding of rooms in the latter has made a
feature of the covered way, which in the scattered plan of Oraibi is
rarely called for. When found it does not seem an outgrowth of the same
conditions that led to its adoption in Zuñi. A glance at the plans will
show how different has been the effect of the immediate environment in
the two cases. In Zuñi, built on a very slight knoll in the open plain,
the absence of a defensive site has produced unusual development of the
defensive features of the architecture, and the result is a remarkably
dense clustering of the dwellings. At Tusayan, on the other hand, the
largest village of the group does not differ in character from the
smallest. Occupation of a defensive site has there, in a measure taken
the place of a special defensive arrangement, or close clustering of
rooms. Oraibi is laid out quite as openly as any other of the group, and
as additions to its size have from time to time been made the builders
have, in the absence of the defensive motive for crowding the rows or
groups into large clusters, simply followed the usual arrangement. The
crowding that brought about the use of the covered way was due in Walpi
to restricted site, as nearly all the available summit of its rocky
promontory has been covered with buildings. In Zuñi, on the other hand,
it was the necessity for defense that led to the close clustering of the
dwellings and the consequent employment of the covered way.
Public-domain text, read in full here on John Shaqi.
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