Eighth Annual Report of the Bureau of Ethnology: to the Secretary of the Smithsonian Institution, 1886-1887, Government Printing Office, Washington, 1891
History
Eighth Annual Report of the Bureau of Ethnology: to the Secretary of the Smithsonian Institution, 1886-1887, Government Printing Office, Washington, 1891
Navajo Indians -- Rites and ceremonies; Pueblo Indians -- Antiquities; Pueblo architecture
ready, but as the sheep approached him they became gods. The first one
was Hasjelti, the second was Hostjoghon, the third was Naaskiddi, the
fourth one was Hadatchishi. At this strange metamorphosis the youth was
greatly alarmed, he dropped his bow and fell to the ground senseless.
Hasjelti stood at the east side of the youth, Hostjoghon to the south,
Naaskiddi to the west, and Hadatchishi to the north of him. Each had a
rattle, which was used to accompany the songs for the recovery of the
youth. They also traced with their rattle in the sand this emblem
[Illustration], meaning a figure of a man, and drew parallel lines at
the head and feet with the rattle. When this was done the youth
recovered and the gods had again assumed the form of sheep. They asked
the youth why he had tried to shoot them. “You see you are one of us,”
they said. The youth had become transformed into a sheep. “There is to
be a dance far off to the north beyond Ute Mountain; we want you to go
with us to the dance. We will dress you like ourselves and teach you to
dance; we will then go over the world.” The brothers who watched from
the mesa top wondered what the trouble could be. They could not see the
gods. They saw the youth lying on the ground and said, “We must go and
see what is the matter.” On reaching the place they found that their
young brother had gone. They saw where he had lain and where the people
had worked over him. They began crying and said, “For a long time we
would not believe him, and now he has gone off with the sheep.” They
made many efforts to head off the sheep, but without success, and they
cried all the more, saying, as they returned to the mesa, “Our brother
told us the truth and we would not believe him; had we believed him he
would not have gone off with the sheep; perhaps some day we will see
him.”
[Footnote 9: The _Bigelovia Douglasii_ is made into rings and used
in the ceremonial Hasjelti Dailjis with direct reference to this
occurrence.]
[Footnote 10: Ceremonial rings are also made of the Spanish bayonet
(yucca).]
At the dance the sheep found seven others like themselves. This made
their number twelve. The seven joined the others in their journey around
the world. All people let them see their dances and learn their songs.
Then all the number excepting the youth talked together and they said,
“There is no use keeping him with us longer (referring to the youth); he
has learned everything; he may as well go now and tell his people and
have them do as we do.” The youth was instructed to have twelve in the
dance, six gods and six goddesses, with Hasjelti to lead them. He was
told to have his people make masks to represent them. It would not do to
have twelve Naaskiddi represented among the Navajo, for they would not
believe it and there would be trouble. They could not learn all of their
songs. The youth returned to his brothers, carrying with him all songs,
all medicine, and clothing.
THE OLD MAN AND WOMAN OF THE FIRST WORLD.
Public-domain text, read in full here on John Shaqi.
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