Einstein, the searcher : $b his work explained from dialogues with EinsteinMoszkowski, Alexander
Philosophy
Einstein, the searcher : $b his work explained from dialogues with Einstein
Moszkowski, Alexander
Einstein, Albert, 1879-1955; Relativity (Physics)
I do not know whether Einstein considers that his life-work can be
completed within the span of this visit. At any rate he makes no attempt
to extract more out of the day by following a rigid programme of work
than the day voluntarily offers. He does not compel himself to cover a
definitely circumscribed piece of ground with chronological exactitude.
There are brain-workers, especially artists, who actually never shake
off the fetters of the twenty-four hours day of work inasmuch as they
spin on the threads of daily effort into the nightly fabric of dreams.
Einstein can make a pause, interrupt his work, or divert himself into
side-channels at leisure and according to the demands of the hour, but
dreams offer him no inspiration and do not waylay him with problems.
On the other hand, however, he is waylaid so much the more during the
day by things and persons that make an assault on him. This starts as
soon as the first post arrives, to see through which requires a special
bureau. In addition to the communications of a professional or official
nature there appear innumerable letters from everywhere and anywhere
asking him to grant a little of his time. Whatever each individual
writer has thought about the principle of relativity, all his thoughts
and doubts, additions, and, above all, that which he has not been able
to understand, all this is to be answered by Einstein. Has he, the child
of fame, even a quarter of an hour for himself? There they wait in the
hall, the painter, the photographer, the sculptor, and the interviewer;
with whatever powers of persuasion and argumentative subtlety his
attentive wife may seek to defend his hours of rest, some of these
visitors will yet succeed in gaining the upper hand, and will produce
something in oil-colours, in plaster of Paris, in black and white, in
water-colours, or in print. Fame, too, demands her sacrifices, and if we
talk of a hunt after fame, then Einstein is certainly not the hunter,
but the hunted.
He sighs under the burden of his correspondence, not only as the
recipient, but also with the sender, whose letter has to remain
unanswered. Yet he is never roused to anger by the intruder on his time.
If this were not so, the aphorism of Cyrus that patience is the panacea
of all ills would not hold for him, and how would I myself otherwise
have dared to claim so many hours of him? A sense of guilt falls on me!
Public-domain text, read in full here on John Shaqi.
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