Ekkehard: A Tale of the Tenth Century. Vol. 1 (of 2)Scheffel, Joseph Victor von
General
Ekkehard: A Tale of the Tenth Century. Vol. 1 (of 2)
Scheffel, Joseph Victor von
Hedwig, Herzogin von Schwaben, approximately 938-994 -- Fiction
for with uncultivated races, the features are mostly cast in one mould;
indicating that the vocation of the individual lies in conforming
itself to the mass, instead of contrasting with it.
In the orchards and gardens, where the monks used to recite their
breviaries, Hunnic arms now glistened for the first time. In serpentine
lines, their armed ranks now came up towards the monastery; a wild din
of music, a mixture of cymbals and violins, preceded them; but the
sounds were shrill and sharp, as the ears of the Huns were large, but
not sensitive, and only those, who from some reason or other were unfit
for the duties of a warrior, became musicians.
High over their heads floated their standard, showing a green cat in a
red field, around which some of the chieftains were gathered; Ellak's
and Hornebog's tall figures towering above the rest.
Ellak, with clear features and a straight nose, very unlike that of a
Hun, had had a Circassian mother, to whom he was indebted for his pale
intelligent face with penetrating eyes. He represented the ruling
intellect of the mass. That the old world must be ploughed afresh with
fire and sword, and that it was better to be the plough-man, than to
serve as manure, was his deep-rooted conviction. Hornebog, lean and
lank of figure, wore his long black hair in two solitary curls, one at
each side. Above these, rose the glittering helmet, adorned with two
widely spread out eagles' wings, the emblem of Hunnic horsemanship. To
him the saddle served as home, tent and palace. He shot the bird
flying, and with his sabre could sever the head of an enemy from its
trunk, while galloping past. At his side, hung the six-corded whip, an
ingenious symbol of executive power.
On the backs of the horses belonging to the chieftains, beautifully
woven carpets, as well as chasubles were hanging; a clear proof that
they had already paid visits to other monasteries. The booty was
transported in several waggons, and a considerable and motley crowd of
followers closed the train.
In a cart drawn by mules, amongst copper camp-kettles and other
kitchen-utensils, an old wrinkled woman was sitting. She was shading
her eyes with her right hand, looking towards the sun, in the direction
where the mountain peaks of the Hegau rose into the air. She knew them
well, for the old hag, was the woman of the wood. Banished by Ekkehard,
she had wandered away into stranger lands; vengeance being her first
thought when she awoke in the morning, and her last before she fell
asleep in the evening. Thus she came as far as Augsburg. At the foot of
the hill on which the wooden temple of the Suabian Goddess Zisa had
once stood, the Huns' camp-fires were burning, and with them she
remained.
Public-domain text, read in full here on John Shaqi.
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