Ekkehard: A Tale of the Tenth Century. Vol. 1 (of 2)Scheffel, Joseph Victor von
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Ekkehard: A Tale of the Tenth Century. Vol. 1 (of 2)
Scheffel, Joseph Victor von
Hedwig, Herzogin von Schwaben, approximately 938-994 -- Fiction
Dame Hadwig was not greatly edified by this lecture. She let her eyes
wander about in the hall in search of something to divert her thoughts.
Had the chamberlain, perhaps also disapproved of the choice of the
chapter, or had the wine got into his head?--for suddenly he dashed at
the book and closing it vehemently, so that the wooden covers clapped
audibly, he held up his beaker, saying: "To the health of St.
Benedict." Ekkehard turned a reproachful look on him, but the younger
members of the brotherhood, regarding the toast as serious, had already
echoed it noisely. Here and there a hymn in praise of the holy man was
begun; this time to the tune of a merry drinking song, and loud joyous
voices rang through the hall.
Whilst Abbot Cralo looked about with a somewhat dubious expression, and
Master Spazzo was still busily drinking to the health of the saint with
the younger clergy, Dame Hadwig inclined her head towards Ekkehard and
said in a half whisper:
"Would you be willing to teach me Latin, young admirer of the classics,
if I felt inclined to learn it?"
Then Ekkehard heard an inner voice, whispering like an echo of what he
had read: "throw thyself into the thorns and nettles, and say no!"--but
heedless of the warning voice he replied: "Command and I obey."
The Duchess gazed once more on the young monk with a furtive, searching
look; then turned to the Abbot and talked of indifferent things.
The cloister-inmates did not seem inclined as yet to let this day's
unusual liberty end here. In the Abbot's eyes there was a peculiarly
soft and lenient expression, and the cellarer also never said "nay,"
when the brothers descended with their emptied wine-jugs into the
vaults below.
At the fourth table the old Tutilo began to get jolly, and was telling
his inevitable story of the robbers. Louder and louder his powerful
voice rang through the hall: "One of them turned to fly,--I after him
with my oaken stick,--he throws away spear and shield to the ground,--I
quickly seize him by the throat, force the spear into his hand and cry,
'thou knave of a robber, for what art thou encumbering the world? Thou
shalt fight with me!'" ...
But they had all heard it too often already how he had then in honest
fight split open the scull of his antagonist,--so they eagerly
requested him, to sing some favourite song, and on his giving an
assenting nod, some of them hurried out, presently to return with their
instruments. One of them brought a lute, another a violin with one
string only, a third a sort of dulcimer with metal pegs, which were
played on with a tuning key, and a fourth a small ten-stringed harp.
This last curious-looking instrument was called a psalter, and its
three-cornered shape was held to be a symbol of the Trinity.
Public-domain text, read in full here on John Shaqi.
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