Ekkehard: A Tale of the Tenth Century. Vol. 1 (of 2)Scheffel, Joseph Victor von
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Ekkehard: A Tale of the Tenth Century. Vol. 1 (of 2)
Scheffel, Joseph Victor von
Hedwig, Herzogin von Schwaben, approximately 938-994 -- Fiction
When the instruments were tuned, they gave him his baton of ebony.
Smilingly the hoary artist received it, and rising from his seat, gave
them the signal to play a piece of music, which he himself had composed
in his younger days. Gladly the others listened; only Gerold the
steward, became rather melancholy on hearing the melodious sounds, for
he was just counting the emptied dishes and stone jugs, and like a text
to the melody the words vibrated through his mind: "How much this one
day has swallowed up in goods and money?" Softly he beat time with his
sandal-clad foot, until the last note had died away.
At the bottom of the table a silent guest, with a pale olive complexion
and black curls, was sitting. He came from Italy, and had accompanied
the mules loaded with chestnuts and oil, from Lombardy over the Alp. In
melancholy silence, he let the floods of song pass over him.
"Well, Master Giovanni," said Folkard the painter, "has the fine
Italian ear been satisfied? The Emperor Julianus once compared the
singing of our forefathers to the screeching of wild birds, but since
that time we have made progress. Did it not sound lovelier in your ears
than the singing of wild swans?"
"Lovelier--than the singing of swans"--repeated the stranger in dreamy
accents. Then he arose and quietly stole away. Nobody in the monastery
ever read what he wrote down in his journal that evening.
"These men on the other side of the Alp," he wrote, "when they let
their thundering voices rise up to heaven, never can attain to the
sweetness of an artistic modulation. Truly barbarous is the roughness
of their wine-guzzling throats and whenever they attempt by sinking and
then raising their voices, to attain a melodious softness,--all nature
shudders at the sound, and it resembles the creaking of chariot-wheels
on frozen ground." ...
Master Spazzo intending to end well, what he had so well begun, slunk
away to the building in which Praxedis and her companions were
installed, and said: "You are to come to the Duchess, and that at
once." The maidens first laughed at his cowl, and then followed him
into the refectory, as there was no one to hinder their entrance; and
as soon as they became visible at the open door, a buzzing and
murmuring began, as if a dancing and jumping were now to commence, such
as these walls had never before experienced.
Sir Cralo the abbot, however looked at the Duchess, and exclaimed: "My
Lady Cousin!" and he said it with such a touching, woe-begone
expression, that she started up from her reverie. And suddenly she
looked with different eyes than before on the chamberlain and herself,
in their monks habits, as well as on the rows of carousing men. The
faces of the more distant ones were hidden by their projecting hoods,
and it looked as if the wine was being poured down into empty cowls; in
short, the scene altogether with the boisterous music appeared to her
like a mad masquerade, that had lasted too long already.
Public-domain text, read in full here on John Shaqi.
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