The electric waves set in motion by the transmitting apparatus of a
wireless station spread outwards through the ether in all directions,
and so instead of reaching only the aerial of the particular station
with which it is desired to communicate, they affect the aerials of
all stations within a certain range. So long as only one station is
sending messages this causes no trouble; but when, as is actually the
case, large numbers of stations are hard at work transmitting different
messages at the same time, it is evident that unless something can be
done to prevent it, each of these messages will be received at the
same moment by every station within range, thus producing a hopeless
confusion of signals from which not a single message can be read.
Fortunately this chaos can be avoided by what is called “tuning.”
Wireless tuning consists in adjusting the aerial of the receiving
station so that it has the same natural rate of oscillation as that of
the transmitting station. A simple experiment will make clearer the
meaning of this. If we strike a tuning-fork, so that it sounds its
note, and while it is sounding strongly place near it another fork of
the same pitch and one of a different pitch, we find that the fork of
similar pitch also begins to sound faintly, whereas the third fork
remains silent. The explanation is that the two forks of similar pitch
have the same natural rate of vibration, while the other fork vibrates
at a different rate. When the first fork is struck, it vibrates at a
certain rate, and sets in motion air waves of a certain length. These
waves reach both the other forks, but their effect is different in each
case. On reaching the fork of similar pitch the first wave sets it
vibrating, but not sufficiently to give out a sound. But following this
wave come others, and as the fork has the same rate of vibration as
the fork which produced the waves, each wave arrives just at the right
moment to add its impulse to that of the preceding wave, so that the
effect accumulates and the fork sounds. In the case of the third fork
of different pitch, the first wave sets it also vibrating, but as this
fork cannot vibrate at the same rate as the one producing the waves,
the latter arrive at wrong intervals; and instead of adding together
their impulses they interfere with one another, each upsetting the work
of the one before it, and the fork does not sound. The same thing may
be illustrated with a pendulum. If we give a pendulum a gentle push at
intervals corresponding to its natural rate of swing, the effects of
all these pushes are added together, and the pendulum is made to swing
vigorously. If, on the other hand, we give the pushes at longer or
shorter intervals, they will not correspond with the pendulum’s rate of
swing, so that while some pushes will help the pendulum, others will
hinder it, and the final result will be that the pendulum is brought
almost to a standstill, instead of being made to swing strongly and
regularly.
Public-domain text, read in full here on John Shaqi.
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