The transmission of musical harmonies telegraphically, while in itself
of great scientific interest, was of no practical use, but it led to
other inventions, of which it is the base, that are transcendently
useful in every-day life. The transmission of harmonic sounds by
electricity underlies the principle of the telephone. There is a vast
difference, in principle, between the transmission of simple melody,
which is a combination of musical tones transmitted successively--one
tone following another--and the transmission of harmony, which involves
the transmission of two or more tones simultaneously. The former can be
transmitted by a make-and-break current. In the latter case one tone
has to be superposed upon another and must be transmitted with a varying
but a continuously closed current. I make a distinction between a closed
circuit and a closed current. In the case of the arc-light the circuit
is open (that is, broken), technically speaking, but the current is
still flowing. The reason why the Reiss and other metallic contact
telephone transmitters cannot successfully be used for telephone
purposes is that metal points will not allow of sufficient separation of
the transmitting points without breaking the current as well as the
circuit. Carbon contacts admit of a much wider separation without
actually stopping the flow of the current, which latter is a necessity
for perfect telephonic transmission, and it was the use of carbon that
made that form of transmitter a success.
There are other forms, or at least one other form that does not depend
upon the length of the voltaic arc formed when the electrodes are
separated. Of this we will speak another time. Now let us go back to the
domestic incident referred to above.
Public-domain text, read in full here on John Shaqi.
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