One evening in the winter of 1873-4 I came home from my laboratory work
and went into the bathroom to make my toilet for dinner. I found my
nephew, Mr. Charles S. Sheppard, together with some of his playmates,
taking electrical "shocks" from a little medical induction-coil that I
heard humming in the closet. He had one terminal of the coil connected
to the zinc lining of the bathtub--which was dry at that time--while he
held the other in his left hand, and with his right was taking shocks
from the lining of the tub by rubbing his hand against the zinc. I
noticed that each time he made contact with the tub, as he rubbed it for
a short distance, a peculiar sound was emitted from under his hand, not
unlike the sound made by the electrotome that was vibrating in the
closet. My interest was immediately aroused, and I took the electrode
out of his hand and for some time experimented with it, going to the
cupboard from time to time to change the rate of vibration of the
electrotome, and thus change the quality of the sound. I noticed that
the sound or tone under my hand, if it could be so called, changed with
each change of the rate of vibration. The thing that most interested me
was that the peculiar characteristics of the noise were reproduced. In
those few minutes I laid out work enough for years of experiment, and as
a result I was late to dinner.
This discovery opened up to my mind the possibility of three things--the
transmission of music and of speech or articulate words through a
telegraph-wire, and the transmission of a number of messages over a
single wire. I constructed a keyboard consisting of one octave and made
a set of reeds tuned to the notes of the scale, and then when some one
would play a melody I could reproduce it in two ways: One by placing my
body in the circuit and rubbing a metal plate--it might be the bottom of
a tin pan, a joint of stovepipe or otherwise--anything that was metal
and would vibrate would give the effect. Another way was to connect an
electromagnet (having a diaphragm or reed across its poles) in the
circuit at the receiving-end and mount it on some kind of a soundboard.
I made a great number of different kinds of receivers that were capable
of receiving either musical or articulate sounds, as has many times been
proven by experiment. I carried two sets of experiments along together;
the one looking toward a system of multiple telegraphy and the other the
transmission of articulate speech. Let us first look into the multiple
telegraph and take the other up under the head of the telephone.
Public-domain text, read in full here on John Shaqi.
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