When the electrical keyboard was completed I found that I could transmit
not only a melody but a harmony; that more than one tone could be
transmitted simultaneously. This discovery opened up a long series of
experiments with the view of sending a number of messages simultaneously
by means of musical tones differing in pitch. I had already demonstrated
that several tones could be transmitted at once, but they would speak
all alike (with the same loudness) on the receiving-instrument. I now
went to work on an instrument that responded for one note only and
succeeded beyond my expectations. I made three different kinds of
receiving-instruments. The first was a steel strap about eight inches
long by three-eighths wide. This strap was mounted in an iron frame in
front of an electromagnet. A thumbscrew enabled me to stretch the strap
till it would vibrate at the required pitch. If, for instance, the
sending-reed vibrated at the rate of 100 times per second and the strap
of the receiver was stretched to a tension that would give 100
vibrations per second when plucked, it would then respond to the
vibrations of the sending-reed but not to those of another reed of a
different rate of vibration. If we take mounted tuning-forks tuned in
pairs of different pitches, say four pairs, so that each fork has a mate
that is in exact accord with it, and place them all in the same room,
and sound one of them for a few seconds and then stop it, upon examining
the other forks you will find all of them quiet except the mate of the
one that was sounded. This one will be sounding. If we now sound four of
the forks and then stop them the other four will be sounding from
sympathy because the mate of each one of them has been sounded. If only
two forks differing in pitch are sounded only two of the others will
sound in sympathy. In the first case only one set of sound-waves were
set up in the air, and the fork that found itself in accord with this
set responded. When four forks differing in pitch were sounded there
were four sets of tone-waves superposed upon each other existing in the
air, so that each of the remaining forks found a set of waves in
sympathy with its own natural rate of vibration and so responded.
Public-domain text, read in full here on John Shaqi.
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