Elements of Criticism, Volume I.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume I.
Kames, Henry Home, Lord
Criticism; Literary style
in external objects, is requisite to attach us to them. Doth not this
mechanism, in the first place, greatly promote industry, by prompting a
desire to possess things that are beautiful? Doth it not further join
with utility, in prompting us to embellish our houses and enrich our
fields? These however are but slight effects, compared with the
connections which are formed among individuals in society by means of
this singular mechanism. The qualifications of the head and heart, are
undoubtedly the most solid and most permanent foundations of such
connections. But as external beauty lies more in view, and is more
obvious to the bulk of mankind than the qualities now mentioned, the
sense of beauty possesses the more universal influence in forming these
connections. At any rate, it concurs in an eminent degree with mental
qualifications, to produce social intercourse, mutual good-will, and
consequently mutual aid and support, which are the life of society.
It must not however be overlooked, that this sense doth not tend to
advance the interests of society, but when in a due mean with respect to
strength. Love in particular arising from a sense of beauty, loses, when
excessive, its sociable character[53]. The appetite for gratification,
prevailing over affection for the beloved object, is ungovernable; and
tends violently to its end, regardless of the misery that must follow.
Love in this state is no longer a sweet agreeable passion. It becomes
painful like hunger or thirst; and produceth no happiness but in the
instant of fruition. This discovery suggests a most important lesson,
that moderation in our desires and appetites, which fits us for doing
our duty, contributes at the same time the most to happiness. Even
social passions, when moderate, are more pleasant than when they swell
beyond proper bounds.
CHAP. IV.
Grandeur and Sublimity.
Nature hath not more remarkably distinguished us from the other animals
by an erect posture, than by a capacious and aspiring mind, inclining us
to every thing great and elevated. The ocean, the sky, or any large
object, seizes the attention, and makes a strong impression[54]. Robes
of state are made large and full to draw respect. We admire elephants
and whales for their magnitude, notwithstanding their unwieldiness.
The elevation of an object affects us not less than its magnitude. A
high place is chosen for the statue of a deity or hero. A tree growing
upon the brink of a precipice viewed from the plain below, affords by
that circumstance an additional pleasure. A throne is erected for the
chief magistrate, and a chair with a high seat for the president of a
court.
In some objects, greatness and elevation concur to make a complicated
impression. The Alps and the pike of Teneriff are proper examples; with
the following difference, that in the former greatness seems to prevail,
elevation in the latter.
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