Elements of Criticism, Volume I.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume I.
Kames, Henry Home, Lord
Criticism; Literary style
If to see a body in motion be agreeable, one will be apt to conclude,
that to see it at rest is disagreeable. But we learn from experience,
that this would be a rash conclusion. Rest is one of those circumstances
that are neither agreeable nor disagreeable. It is viewed with perfect
indifferency. And happy it is for mankind that the matter is so ordered.
If rest were agreeable, it would disincline us to motion, by which all
things are performed. If it were disagreeable, it would be a source of
perpetual uneasiness; for the bulk of the things we see appear to be at
rest. A similar instance of designing wisdom I have had occasion to
explain, in opposing grandeur to littleness, and elevation to lowness of
place[69]. Even in the simplest matters, the finger of God is
conspicuous. The happy adjustment of the internal nature of man to his
external circumstances, displayed in the instances here given, is indeed
admirable.
Motion is certainly agreeable in all its varieties of quickness and
slowness. But motion long continued admits some exceptions. That degree
of continued motion which corresponds to the natural course of our
perceptions, is the most agreeable[70]. The quickest motion is for an
instant delightful. But it soon appears to be too rapid. It becomes
painful, by forcibly accelerating the course of our perceptions. Slow
continued motion becomes disagreeable for an opposite reason, that it
retards the natural course of our perceptions.
There are other varieties in motion, beside quickness and slowness,
that make it more or less agreeable. Regular motion is preferred before
what is irregular, witness the motion of the planets in orbits nearly
circular. The motion of the comets in orbits less regular, is less
agreeable.
Motion uniformly accelerated, resembling an ascending series of numbers,
is more agreeable than when uniformly retarded. Motion upward is
agreeable by the elevation of the moving body. What then shall we say of
downward motion regularly accelerated by the force of gravity, compared
with upward motion regularly retarded by the same force? Which of these
is the most agreeable? This question is not easily solved.
Motion in a straight line is no doubt agreeable. But we prefer
undulating motion, as of waves, of a flame, of a ship under sail. Such
motion is more free, and also more natural. Hence the beauty of a
serpentine river.
The easy and sliding motion of fluids, from the lubricity and
incoherence of their parts, is agreeable upon that account. But the
agreeableness chiefly depends upon the following circumstance, that the
motion is perceived, not as of one body, but as of an endless number
moving together with order and regularity. Poets struck with this
beauty, draw more images from fluids than from solids.
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