Elements of Criticism, Volume I.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume I.
Kames, Henry Home, Lord
Criticism; Literary style
Surprise thus in several respects differs from wonder. Unexpedtedness is
the cause of the former emotion: novelty is the cause of the latter. Nor
differ they less in their nature and circumstances, as will be explained
by and by. With relation to one circumstance they perfectly agree, which
is the shortness of their duration. The instantaneous production of
these emotions in perfection, may contribute to this effect, in
conformity to a general law, That things soon decay which soon come to
perfection. The violence of the emotions may also contribute; for an
ardent emotion, which is not susceptible of increase, cannot have a long
course. But their short duration is occasioned chiefly by that of their
causes. We are soon reconciled to an object, however unexpected; and
novelty soon degenerates into familiarity.
Whether these emotions be pleasant or painful, is not a clear point. It
may appear strange, that our own feelings and their capital qualities
should afford any matter for a doubt. But when we are ingrossed by any
emotion, there is no place for speculation; and when sufficiently calm
for speculation, it is not easy to recal the emotion with sufficient
accuracy. New objects are sometimes terrible, sometimes delightful. The
terror which a tyger inspires is greatest at first, and wears off
gradually by familiarity. On the other hand, even women will
acknowledge, that it is novelty which pleases the most in a new fashion.
At this rate, it should be thought, that wonder is not in itself
pleasant or painful, but that it assumes either quality according to
circumstances. This doctrine, however plausible, must not pass without
examination. And when we reflect upon the principle of curiosity and its
operations, a glimpse of light gives some faint view of a different
theory. Our curiosity is never more thoroughly gratified, than by new
and singular objects. That very gratification is the emotion of wonder,
which therefore, according to the analogy of nature, ought always to be
pleasant[74]. And indeed it would be a great defect in human nature,
were the gratification of so useful a principle unpleasant. But upon a
more strict scrutiny, we shall not have occasion to mark curiosity as an
exception from the general rule. A new object, it is true, that hath a
threatening appearance, adds to our terror by its novelty. But from this
experiment it doth not follow, that novelty is in itself disagreeable.
It is perfectly consistent, that we should be delighted with an object
in one view, and terrified with it in another. A river in flood swelling
over its banks, is a grand and delightful object; and yet it may produce
no small degree of fear when we attempt to cross it. Courage and
magnanimity are agreeable; and yet when we view these qualities in an
enemy, they serve to increase our terror[75]. In the same manner,
novelty has two effects clearly distinguishable from each other. A new
object, by gratifying curiosity, must always be agreeable. It may, at
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