Elements of Criticism, Volume I.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume I.
Kames, Henry Home, Lord
Criticism; Literary style
In exploring the operations of the mind, some of which are extremely
nice and slippery, it is necessary to proceed with the utmost
circumspection. And after all, seldom it happens that speculations of
this kind afford any strong conviction. Luckily, in the present case, we
have at hand facts and experiments that support the foregoing theory in
a satisfactory manner. In the first place, the opposing a small object
of one species to a great object of another, produces not, in any
degree, that effect of contrast, which is so remarkable when both
objects are of the same species. There is no difference betwixt these
two cases that promiseth to have any influence, but only that the former
is common, the latter rare. May we not then fairly conclude, that
surprise from the rarity of appearance is the cause of contrast, when
we find no such effect where the appearance is common? In the next
place, if surprise be the sole cause of the effects that appear in
making a comparison, it follows necessarily that these effects will
vanish so soon as a comparison becomes familiar. This holds so
unerringly, as to leave no reasonable doubt that surprise is the prime
mover in this operation. Our surprise is great the first time a small
lapdog is seen with a large mastiff: but when two such animals are
constantly together, there is no surprise; and it makes no difference
whether they be viewed separately or in company. We put no bounds to the
riches of a man who has recently made his fortune. The opposition
betwixt his present and past situation, or betwixt his present situation
and that of others, is carried to an extreme. With regard to a family
that for many generations hath enjoyed great wealth, the same false
reckoning is not made. It is equally remarkable, that a simile loses its
effect by repetition. A lover compared to a moth scorching itself at the
flame of a candle, is a sprightly simile, which by frequent use has
lost all force. Love cannot now be compared to fire, without some degree
of disgust. It has been justly objected against Homer, that the lion is
too often introduced in his similes. All the variety he is able to throw
into them, is not sufficient to keep alive the reader’s surprise.
Public-domain text, read in full here on John Shaqi.
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