Elements of Criticism, Volume I.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume I.
Kames, Henry Home, Lord
Criticism; Literary style
_Hotspur._ I will; that’s flat:
He said, he would not ransom Mortimer:
Forbad my tongue to speak of Mortimer:
But I will find him when he lies asleep,
And in his ear I’ll holla _Mortimer_!
Nay, I will have a starling taught to speak
Nothing but _Mortimer_, and give it him,
To keep his anger still in motion.
_Worcester._ Hear you, cousin, a word.
_Hotspur._ All studies here I solemnly defy,
Save how to gall and pinch this Bolingbroke:
And that same sword-and-buckler Prince of Wales,
(But that I think his father loves him not,
And would be glad he met with some mischance),
I’d have him poison’d with a pot of ale.
_Worcester._ Farewel, my kinsman, I will talk to you,
When you are better temper’d to attend.
_First part, Henry_ IV. _act 1. sc. 4._
Having viewed a train of perceptions as directed by nature, and the
variations it is susceptible of from different necessary causes, we
proceed to examine how far it is subjected to will; for that will hath
some influence, more or less, is observed above. And first, the rate of
succession may be retarded by insisting upon one object, and propelled
by dismissing another before its time. But such voluntary mutations in
the natural course of succession, have limits that cannot be extended by
the most painful efforts. The mind circumscribed in its capacity,
cannot, at the same instant, admit many perceptions; and when replete,
it has no place for new perceptions till others be removed. For this
reason, a voluntary change of perceptions cannot be instantaneous; and
the time it requires sets bounds to the velocity of succession. On the
other hand, the power we have to arrest a flying perception, is equally
limited. The longer we detain any perception, the more difficulty we
find in the operation; till, the difficulty becoming unsurmountable, we
are forced to quit our hold, and to permit the train to take its usual
course.
The power we have over this train as to uniformity and variety, is in
some cases very great, in others very little. A train so far as composed
of external objects, depends entirely on the place we occupy, and admits
not more or less variety but by change of place. A train composed of
ideas of memmory, is still less under our power. Objects which are
connected, afford the mind an easy passage from one to another. They
suggest each other in idea by the same means; and we cannot at will call
up any idea that is not connected with the train[94]. But a train of
ideas suggested by reading, may be varied at will, provided we have
books in store.
Public-domain text, read in full here on John Shaqi.
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