Elements of Criticism, Volume I.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume I.
Kames, Henry Home, Lord
Criticism; Literary style
When one is totally occupied in any agreeable work that admits not many
objects, time runs on without observation; and upon an after
recollection must appear short, in proportion to the paucity of objects.
This is still more remarkable in close contemplation and in deep
thinking, where the train, composed wholly of ideas, proceeds with an
extreme slow pace. Not only are the ideas few in number, but are apt to
escape an after-reckoning. The like false reckoning of time may proceed
from an opposite state of mind. In a reverie, where ideas float at
random without making any impression, time goes on unheeded and the
reckoning is lost. A reverie may be so profound as to prevent the
recollection of any one idea: that the mind was busied in a train of
thinking, will in general be remembered; but what was the subject, has
quite escaped the memory. In such a case, we are altogether at a loss
about the time: we have no _data_ for making a computation. No cause
produceth so false a reckoning of time, as immoderate grief. The mind,
in this state, is violently attached to a single object, and admits not
a different thought. Any other object breaking in, is instantly
banished, so as scarce to give an appearance of succession. In a
reverie, we are uncertain of the time that is past: but in the example
now given, there is an appearance of certainty, so far as the natural
measure of time can be trusted, that the time must have been short, when
the perceptions are so few in number.
The natural measure of space appears more obscure than that of time. I
venture however to enter upon it, leaving it to be further prosecuted,
if it be thought of any importance.
The space marked out for a house, appears considerably larger after it
is divided into its proper parts. A piece of ground appears larger after
it is surrounded with a fence; and still larger when it is made a garden
and divided into different copartments.
On the contrary, a large plain looks less after it is divided into
parts. The sea must be excepted, which looks less from that very
circumstance of not being divided into parts.
A room of a moderate size appears larger when properly furnished. But
when a very large room is furnished, I doubt whether it be not lessened
in appearance.
A room of a moderate size, looks less by having a ceiling lower than in
proportion. The same low ceiling makes a very large room look larger
than it is in reality.
These experiments are by far too small a stock for a general theory. But
they are all that occur at present; and without attempting any regular
system, I shall satisfy myself with a few conjectures.
Public-domain text, read in full here on John Shaqi.
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