Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
In these deep solitudes and awful cells,
Where heav’nly-pensive || Contemplation dwells,
And ever-musing || Melancholy reigns.
The point of the greatest delicacy regards the active verb and the
passive substantive placed in their natural order. On the one side it
will be observed, that these words signify things which are not
separable in idea. Killing cannot be conceived without some being that
is put to death, nor painting without a surface upon which the colours
are spread. On the other side, an action and the thing on which it is
exerted, are not, like substance and quality, united in one individual
subject. The active subject is perfectly distinct from that which is
passive; and they are connected by one circumstance only, that the
action exerted by the former, is exerted upon the latter. This makes it
possible to take the action to pieces, and to consider it first with
relation to the agent, and next with relation to the patient. But after
all, so intimately connected are the parts of the thought, that it
requires an effort to make a separation even for a moment. The
subtilising to such a degree is not agreeable, especially in works of
imagination. The best poets however, taking advantage of this subtilty,
scruple not to separate by a pause an active verb from its passive
subject. Such pauses in a long work may be indulged; but taken singly,
they certainly are not agreeable. I appeal to the following examples.
The peer now spreads || the glitt’ring forfex wide
As ever sully’d || the fair face of light
Repair’d to search || the gloomy cave of Spleen
Nothing, to make || philosophy thy friend
Shou’d chance to make || the well-dress’d rabble stare
Or cross, to plunder || provinces, the main
These madmen never hurt || the church or state
How shall we fill || a library with wit
What better teach || a foreigner the tongue?
Sure, if I spare || the minister, no rules
Of honour bind me, not to maul his tools.
On the other hand, when the passive subject by inversion is first named,
there is no difficulty of interjecting a pause betwixt it and the verb,
more than when the active subject is first named. The same reason holds
in both, that though a verb cannot be separated in idea from the
substantive which governs it, and scarcely from the substantive it
governs; yet a substantive may always be conceived independent of the
verb. When the passive subject is introduced before the verb, we know
not that an action is to be exerted upon it; therefore we may rest till
the action commences. For the sake of illustration take the following
examples.
Shrines! where their vigils || pale-ey’d virgins keep
Soon as thy letters || trembling I unclose
No happier task || these faded eyes pursue
Public-domain text, read in full here on John Shaqi.
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