Hitherto I have considered the advantage of laying aside rhyme, with respect to that superior power of expression which verse acquires thereby. But this is not the only advantage of blank verse. It has another not less signal of its kind; and that is, of a more extensive and more complete melody. Its music is not, like that of rhyme, confined to a single couplet; but takes in a great compass, so as in some measure to rival music properly so called. The intervals betwixt its cadences may be long or short at pleasure; and, by this means, its modulation, with respect both to richness and variety, is superior far to that of rhyme; and superior even to that of the Greek and Latin Hexameter. Of this observation no person can doubt who is acquainted with the _Paradise Lost_. In that work there are indeed many careless lines; but at every turn it shines out in the richest melody as well as in the sublimest sentiments. Take the following specimen. Now Morn her rosy steps in th’ eastern clime Advancing, sow’d the earth with orient pearl, When Adam wak’d, so custom’d, for his sleep Was aëry light from pure digestion bred, And temp’rate vapours bland, which th’ only sound Of leaves and fuming rills, Aurora’s fan, Lightly dispers’d, and the shrill matin song Of birds on every bough; so much the more His wonder was to find unwaken’d Eve With tresses discompos’d, and glowing cheek, As through unquiet rest: he on his side Leaning half-rais’d, with looks of cordial love Hung over her enamour’d, and beheld Beauty, which, whether waking or asleep, Shot forth peculiar graces; then with voice Mild, as when Zephyrus on Flora breathes, Her hand soft touching, whisper’d thus. Awake My fairest, my espous’d, my latest found, Heav’n’s last best gift, my ever new delight, Awake; the morning shines, and the fresh field Calls us; we lose the prime, to mark how spring Our tended plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How Nature paints her colours, how the bee Sits on the bloom extracting liquid sweet. _Book 1. l. 1_.