Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
All consonants are pronounced with a less cavity than any of the vowels;
and consequently they contribute to form a sound still more sharp than
the sharpest vowel pronounced single. Hence it follows, that every
articulate sound into which a consonant enters, must necessarily be
double, though pronounced with one expiration of air, or with one breath
as commonly expressed. The reason is, that though two sounds readily
unite; yet where they differ in tone, both of them must be heard if
neither of them be suppressed. For the same reason, every syllable must
be composed of as many sounds as there are letters, supposing every
letter to be distinctly pronounced.
We next inquire, how far articulate sounds into which consonants enter,
are agreeable to the ear. With respect to this point, there is a noted
observation, that all sounds of difficult pronunciation are to the ear
harsh in proportion. Few tongues are so polished as entirely to have
rejected sounds that are pronounced with difficulty; and such sounds
must in some measure be disagreeable. But with respect to agreeable
sounds, it appears, that a double sound is always more agreeable than a
single sound. Every one who has an ear must be sensible, that the
diphthongs _oi_ or _ai_ are more agreeable than any of these vowels
pronounced singly. And the same holds where a consonant enters into the
double sound. The syllable _le_ has a more agreeable sound than the
vowel _e_ or than any vowel. And in support of experience, a
satisfactory argument may be drawn from the wisdom of Providence. Speech
is bestowed upon man, to qualify him for society. The provision he hath
of articulate sounds, is proportioned to the use he hath for them. But
if sounds that are agreeable singly were not also agreeable in
conjunction, the necessity of a painful selection would render language
intricate and difficult to be attained in any perfection. And this
selection, at the same time, would tend to abridge the number of useful
sounds, so as perhaps not to leave sufficient for answering the
different ends of language.
In this view, the harmony of pronunciation differs widely from that of
music properly so called. In the latter are discovered many sounds
singly agreeable, that in conjunction are extremely disagreeable; none
but what are called _concordant sounds_ having a good effect in
conjunction. In the former, all sounds singly agreeable are in
conjunction concordant; and ought to be, in order to fulfil the
purposes of language.
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