mythologies of most cultural peoples, in that they are not simply deity legends that suggest celestial phenomena in only occasional details. Moreover, no mention of ancestral or totem animal occurs in Polynesian mythology. There are only occasional legends, associated with the mighty trees of this island-world, that may perhaps be traceable to the plant totems of Melanesia. Such being the conditions, it might seem that, in any case, we are not justified in including the entire Malayo-Polynesian culture within the totemic age. Nevertheless, quite apart from the fact that the other phases of external culture are all such as indicate the totemic stage of development, the obviously primitive character of the celestial legends themselves--for they have not as yet developed true hero and deity conceptions--marks this culture as one of transition. Its totemic basis has almost disappeared; yet the earlier manner of securing food, the modes of dress, the decoration, and the belief in spirits and magic have essentially remained, even though decoration and weapons, particularly, have undergone a far richer development. Thus, the external decoration of the body reached its highest perfection in the artistic dot-patterns exemplified in the tattooing of the Polynesians. The origin of this bodily adornment is here again probably to be traced to magical beliefs. The Polynesians also possess carved wooden idols and fantastically shaped masks. To the bow and the lance they have added the knife and the sword; to the long shield, the small, round shield, which serves for defence in the more rapid movements of single combat. Many localities also have a peculiar social institution, likewise bound up with the development of warfare initiated by migration and strife. This institution consists in an exclusive organization comprising age-groups and the men's club. The latter, in turn, are themselves symptomatic of the disintegration of the original totemic tribal divisions. There is, moreover, _one_ further custom, _taboo_, which has grown up under totemic influences and has received its richest development with manifold transformations and ramifications within this very transitional culture of Polynesia. The earliest form of taboo, which consists in the prohibition of eating the flesh of the totem animal, has, it is true, disappeared. But the idea of taboo has been transferred to a great number of other things, to sacred places, to objects and names, to the person and property of individuals, particularly of chiefs and priests. The tremendous influence of these phenomena, whose origin is closely intertwined with totemism, clearly shows that this entire culture belongs essentially to the totemic age.