Elements of Military Art and Science: Or, Course Of Instruction In Strategy, Fortification, Tactics Of Battles, &C.; Embracing The Duties Of Staff, Infantry, Cavalry, Artillery, And Engineers; Adapted To The Use Of Volunteers And Militia; Third Edition; With Critical Notes On The Mexican And Crimean Wars.Halleck, H. W. (Henry Wager)
Philosophy
Elements of Military Art and Science: Or, Course Of Instruction In Strategy, Fortification, Tactics Of Battles, &C.; Embracing The Duties Of Staff, Infantry, Cavalry, Artillery, And Engineers; Adapted To The Use Of Volunteers And Militia; Third Edition; With Critical Notes On The Mexican And Crimean Wars.
Halleck, H. W. (Henry Wager)
Military art and science
The main thing in an _offensive_ battle is to seize upon the decisive
point of the field. This point is determined by the configuration of the
ground, the position of the contending forces, the strategic object of
the battle; or, by a combination of these. For example, when one wing of
the enemy rests on a height that commands the remainder of his line,
this would seem the decisive point to be attacked, for its occupation
would secure the greatest advantages; but this point may be so very
difficult of access, or be so related to the strategic object as to
render its attack out of the question. Thus it was at the battle of
Bautzen: the left of the allies rested on the mountains of Bohemia,
which were difficult of attack, but favorable for defence; moreover,
their only line of retreat was on the right, which thus became the point
of attack for the French, although the topographical and tactical key of
the field was on the left.
III. It frequently happens in modern warfare that battles result from
the meeting of armies in motion, both parties acting on the offensive.
Indeed, an army that is occupying a defensive position may, on the
approach of the enemy, advance to meet him while on the march. Battles
of this kind may partake of the mixed character of offensive and
defensive actions, or they may be of the nature of a surprise to both
armies. To this class belong the battles of Rosbach, Eylau, Lutzen,
Luzzara, Abensberg, &c.
Surprises were much more common in ancient than in modern times, for the
noise of musketry and the roar of artillery, belonging to the posts or
wings assailed, will prevent any general surprise of an army. Moreover,
the division into separate masses, or _corps d'armee,_ will necessarily
confine the surprise to a part, at most, of the forces employed.
Nevertheless, in the change given to military terms, a surprise may now
mean only an unexpected combination of manoeuvres for an attack, rather
than an actual falling upon troops unguarded or asleep. In this sense
Marengo, Lutzen, Eylau, &c. are numbered with surprises. Benningsen's
attack on Murat at Zarantin in 1812 was a true surprise, resulting from
the gross negligence and carelessness of the king of Naples.
Public-domain text, read in full here on John Shaqi.
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