Eli's Children: The Chronicles of an Unhappy FamilyFenn, George Manville
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Eli's Children: The Chronicles of an Unhappy Family
Fenn, George Manville
Dysfunctional families -- Fiction
"Why, Julie, you don't come out enough; you are done up directly.
There, come along out into the fields, there's more fresh air there. I
say, did I tell you that we are to go to town next week?"
"No," said Julia, who shivered at every sound in the copse, and glanced
from side to side, as if she expected to be seized at any moment.
"But we are, and I don't know but what I long to be up in London to get
away from Harry Artingale."
"To get away?" said Julia, making an effort to be composed, and
wondering why she had not told her sister what she had seen.
"Yes, I want to get away; for of course," she added, archly, "he will
have to stay down here."
She spoke loudly, and all that had been said and left unsaid appealed
very strongly to the senses of the great fellow in the copse.
Julia need not have felt afraid that he was about to rise up and seize
her; he remained perfectly still for a few moments, and then rolled over
upon his back, laughing heartily, but in a perfectly silent manner,
before having a struggle with himself to drag a short pipe and a
tobacco-pouch out of his pocket.
Filling his pipe quietly, he struck a match and lit it, placed his hands
beneath his head, and stared straight up through the tender green leaves
at the bare sky, while a robin came and perched upon a branch close by,
and kept watching the ruffian with his great round eyes.
"This is jolly," he said, in a bass growl; "better than having places of
your own, and being obliged to work."
Then he smoked for a few minutes before musing once more aloud.
"Women arn't much account," he said, oracularly; "and the younger and
prettier they are, the worse they are."
There was another interval of smoking.
"What a deal a fellow sees by just doing nothing but hang around.
Franky Mallow, eh? Ah, he cuts me now. If I was John Berry, farmer,
I'd cut him, that's what I'd do."
Another interval of smoking.
"Why don't young Serrol," (so he pronounced it) "go after the
schoolmissus now, I wonder? Tired, I spose."
Another smoking interval.
"Hah, if it's because he prefers going down to the ford--"
He stopped short.
"I tell you what it is; if I thought--"
Another pause, during which Jock Morrison made his short pipe still
shorter by biting off a piece of the stem and spitting it out.
"Shall I tell Tom--shan't I tell Tom? Tom don't like me, and tells me
to keep myself to myself. He'd about smash him, that's what Tom would
do, if he knowed, and then he'd be miserable for ever and ever, amen, as
owd Sammy Warmoth used to say."
Another smoking fit.
"She's a good little lass, and the trouble she was in about her bairn
was terrible."
More smoking, and the robin looking wondering on.
"Polly don't like me, but she's a kind-hearted little lass, and has give
me many a hunk of bread and meat unknown to Tom, and I never see but
that she was as square as square."
Another long smoke.
Public-domain text, read in full here on John Shaqi.
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