Eli's Children: The Chronicles of an Unhappy FamilyFenn, George Manville
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Eli's Children: The Chronicles of an Unhappy Family
Fenn, George Manville
Dysfunctional families -- Fiction
The figure was that of Cynthia, with her crisp, fair hair lightly tied
back, so that it floated down loosely over the loose wide _peignoir_ of
creamy cashmere trimmed with blue, which formed a costume, as it swept
from her in graceful folds, far more becoming than the most ravishing
toilet from a Parisian _modiste_. She held a little silver candlestick,
with bell glass to shade the light, and as she came forward, looking
very composed and firm, though rather pale, Artingale felt for the
moment as if he could have emulated Perry-Morton, and fallen down to
kiss her pretty little slipper-covered feet.
"Ah, my dear!" exclaimed the Rector, "I am glad you have come. I cannot
make Julia hear."
Cynthia darted a quick glance at Artingale, full of dread and dismay,
and then without a word she passed on and laid her hand upon the china
knob of Julia's door. Then she hesitated for a moment, but only for a
moment, before turning the handle and going in, the door swinging to
behind her.
Cynthia held her candle above her head and gave one glance round, the
light falling on Julia's wedding dress and veil; the wreath was on a
table, side by side with the jewels that had been presented to her.
Over other chairs and in half-packed trunks were travelling and other
costumes, with the endless little signs of preparation for leaving home.
Cynthia gave one glance round her with dilating eyes; ran into the
dressing-room and back looked at the unpressed bed, and then she let
fall the candlestick as she sank on her knees uttering a loud cry, and
covering her face with her hands.
It was no time for ceremony, and at the cry the Rector rushed in,
followed by Artingale, Magnus stopping at the door to keep back the
police and the servants, who would have entered too, both the men from
below having now joined the group.
As the Rector ran in with Artingale, Cynthia started up once more.
"Oh, papa! oh, Harry!" she cried, piteously, "Julie has gone!"
"Gone!" gasped the Rector. "Gone! Where? Are you mad?"
"Mad? no, papa, but she is. Oh, Harry! I saw that dreadful man
to-night outside in the garden, after we had gone to bed; but I thought
she would be safe; and now I know it--I am quite sure. Oh, Harry,
Harry! what shall we do? He has taken her away!"
PART TWO, CHAPTER FIFTEEN.
THE BIRD AND THE SERPENT.
Unmistakably. There could be no doubt of the fact; Julia Mallow had
fled from her home that night--half willingly, half forced, always drawn
as it were by the strange influence that the man who had been the evil
genius of her life had exercised over her.
Public-domain text, read in full here on John Shaqi.
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