Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 1Cooper, Susan Fenimore
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Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 1
Cooper, Susan Fenimore
Frontier and pioneer life -- United States -- Fiction; Historical fiction
"Love your aunt, your second mother, truly and gratefully. She
has already bestowed on you many proofs of kindness, and she has
always been a faithful friend to your father, and to your mother.
Love the memory of your parents, my child; think of us
sometimes--think of your father--think of your mother. Honour
their memory by a recollection of their instructions, by a
well-spent life. Since your birth, my child, I have scarcely had
a hope or a fear, unconnected with you; if I were to ask to live,
it would be only for your sake, my darling daughter.
"Your mother's tenderest blessing rests upon you, my beloved
Elinor, through life!
"MARY RADCLIFFE WYLLYS"
This letter had been often read and studied by Elinor, with the
gratitude and respect it deserved, as a legacy from her mother;
but lately she had been disposed to enter more fully into the
feelings by which it had been dictated. Every word which applied
to her present situation, sunk deeply into her heart.
CHAPTER XXI.
"Merrily, merrily dance the bells;
Swiftly glides the sleigh!"
Newspaper Verses.
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EARLY in December, a new glazed card was to be seen on most of
the fashionable tables in New York. It was of the particular tint
most in favour that season, whether bluish or pinkish we dare not
affirm, for fear of committing a serious anachronism, which might
at once destroy, with many persons, all claim to a knowledge of
the arcana of fashionable life. Having no authorities at hand to
consult, the point must be left to the greater research of the
critical reader. This card bore the name of T. TALLMAN TAYLOR;
but whether in Roman or Italic characters we dare not say, for
the same reason which has just been frankly confessed. It was,
however, a highly fashionable bit of pasteboard, as became the
representative of a personage who returned to New York, claiming
the honours of fashion himself. This was no less a person than
the Son of Mr. Pompey Taylor. But the T. Tallman Taylor, whose
whole appearance was pronounced unexceptionable by the New York
belles, from the points of his boots to the cut of his
moustaches, was a very different individual from the
good-looking, but awkward, ungainly youth, introduced to the
reader two or three years since, at Wyllys-Roof. He had, in the
mean time, learned how to stand, how to sit, how to walk, how to
talk in a drawing-room. He had learned what to do with his cane
and his hat, how to manage his pocket-handkerchief and his
gloves; branches of knowledge which an American who sets about
acquiring them, usually learns quite rapidly. He was also very
much improved in riding and dancing, and was said to fence well.
These, with the addition of a much better French accent, were the
principal changes perceptible to the ladies, who pronounced them
all for the better. Among the young men he was soon found to be
an excellent judge of Chateau Margaux and Rudesheimer; some also
thought him knowing in horse-flesh, while others doubted his
Public-domain text, read in full here on John Shaqi.
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