Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 2Cooper, Susan Fenimore
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Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 2
Cooper, Susan Fenimore
Frontier and pioneer life -- United States -- Fiction; Historical fiction
"I can do that without the boat, Mrs. Creighton, here is a
bridge," replied Harry, springing on the trunk of a dead tree,
which nearly reached the islet she had pointed out; catching the
branch of an oak on the opposite shore, he swung himself across.
The flowers were soon gathered; and, after a little difficulty in
reaching the dead tree, he returned to the ladies, just as they
were about to embark again. Perhaps he had caught a spark of the
spirit of coquetry from Mrs. Creighton, and resented her flirting
so much with Mr. Stryker; for he did not give her all the flowers
he had gathered, but offered a few to each lady as she entered
the boat.
"Thank you, Mr. Hazlehurst, very gallantly done," said Mrs.
Creighton, placing one of the lobelias, with a sprig of Mr.
Stryker's, in her belt.
As they rowed leisurely along, Charlie Hubbard pointed out some
of the localities to Miss Wyllys and Robert Hazlehurst.
"These mountains are very different in their character, Mr.
Hubbard, from those you have recently been sketching in Italy and
Switzerland," observed Mr. Ellsworth.
"Entirely different; their forms are much less bold and decided."
"Yes; all the mountains in this country, east of the Mississippi,
partake, more or less, of the same character; forming rounded
ridges, seldom broken into those abrupt, ragged peaks, common in
other parts of the world."
"But the elevation of these mountains is much less than that of
the Alps, or high Apennines," observed Mr. Wyllys; "do not the
mountains in Europe, of the same height, resemble these in
formation?"
"No, sir, I think not," replied Ellsworth. "They are generally
more bold and barren; often mere masses of naked rock. I am no
geologist, but it strikes me that the whole surface of the earth,
in this part of the world, differs in character from that of the
eastern continent; on one hand, the mountains are less abrupt and
decided in their forms with us; and on the other, the plains are
less monotonous here. If our mountains are not grand, the general
surface of the country seems more varied, more uneven; there is
not so large a proportion of dead level in this country as in
France, Germany, Russia, for instance; we have much of what we
call a rolling country--even the prairies, which are the plains
of this region, show the same swelling surface."
"The variety of character in the landscape of different
countries, must be a great charm to one of your profession,
Hubbard," observed Harry. "A landscape painter must enjoy
travelling more than any other man; nothing is lost upon
you--every time you look about you there is something new to
observe. How you must have enjoyed the change from the general
aspect of this country--fresh, full of life and motion, yet
half-finished in the details--to old Italy, where the scenery and
atmosphere are in perfect harmony with the luxurious repose of a
great antiquity!"
Public-domain text, read in full here on John Shaqi.
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