"Can you understand me when I say that I retain a livelier
sense of the loveliness of those scenes which are connected in
my mind with acute sorrow (provided they be beautiful in
themselves), than of those where I have only known happiness?
Or does this seem to you nonsense? There is a spot in the
world where I once stood for a quarter of an hour alone,
suffering so intensely, that even now, when I think of it, I
wonder how, at the end of that time, I could meet the eyes of
others as I did, and show no outward signs of the anguish I
was enduring. Well, Mary, strange as it may seem to you, there
is not another spot in the world, the natural beauties of
which are so indelibly stamped on my recollection, or which
seem to have so entered into my soul. I never feel so much the
unalterable beauty and perfect harmony of the material world
as when the moral world within me is shaken to pieces and
leaves me not even a reed to lean upon. It is the same with
music. Once, when a fearful struggle was going on within me,
and (no matter whether right or wrong) I thought myself very
near death, an organ in the street played a Scotch air which I
had heard a thousand times before; but then, for the first
time, I understood it. Each note had a meaning, each
modulation had a sense, which has never been lost to me since.
Suffering and emotion are necessary (I believe it firmly) to
expand our faculties in every line, and, with our powers of
comprehension, increase our powers of admiration. I shall
never feel the real beauty of military music, or the full
sense of the muffled roll of the drum, till it leads me to
battle, or marshals me to execution. Is it the same with my
affections? Perhaps it is. Perhaps it is not in my nature
passionately to love where I have never suffered. Perhaps if
it had been my fate, after having from the days of childhood
formed to myself an ideal image of what my soul could worship;
after having met with the realisation of that dream of my
fancy--a realisation as much more beautiful, as much more
enchanting as life is superior in its most perfect form to the
highest stretch of genius in the painter; if it had been my
fate, after having watched, and followed, and loved, and
doated on this woman during a year, which seemed to me but as
an hour, so great was the love I bore her; had it been my fate
to possess her, to call her mine, perhaps I should only have
been, after a while, very fond of her, as men are of their
wives--very glad to find her at home, after a day spent in the
House of Commons, at one time of the year, or in shooting, at
another. She might only have been one object to me among many
others. It might have been so, though it is difficult to
believe it; but we must believe what we see, nor dare to
assert that the idol enshrined in our heart in hope, in fear,
and in suffering, would have maintained its sway in the dull
atmosphere of secure possession.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account