Ellen Terry and Her SistersPemberton, T. Edgar (Thomas Edgar)
History
Ellen Terry and Her Sisters
Pemberton, T. Edgar (Thomas Edgar)
Actresses -- Great Britain -- Biography; Terry, Ellen, Dame, 1847-1928
Mathias Mr Henry Irving
Walter Mr Howe
Hans Mr Johnson
Christian Mr Alexander
Dr Zimmer Mr Haviland
Notary Mr Coveney
President of the Court Mr Tyars
Mesmerist Mr Archer
Catherine Mrs Pauncefort
Sozel Miss Linden
Annette Miss Coleridge
ALSACE, 1833.
After which the Trial Scene from
"THE MERCHANT OF VENICE."
Shylock Mr Henry Irving
Duke of Venice Mr Howe
Antonio Mr Wenman
Bassanio Mr Alexander
Salarino Mr Harvey
Gratiano Mr Tyars
Clerk of Court Mr Coveney
Nerissa Miss Linden
Portia Miss Ellen Terry
Director, Mr Irving; Assistant Director, Mr Loveday; Musical
Director, Mr Ball.
The Scenery painted by Mr Hawes Craven; the Act-drop painted by Mr
Hann.
GOD SAVE THE QUEEN.
After the performance, Henry Irving and Ellen Terry had the honour of
being presented to Queen Victoria, who expressed herself with enthusiasm
as to their respective impersonations. Subsequently, through the Prince
of Wales, her Majesty presented the great actor with a pair of handsome
diamond and gold sleeve-links, and the reigning Portia with a brooch, as
beautiful as it was costly.
In her next Lyceum part, that of Catherine Duval, in the revival of
Watts Phillips's stirring French Revolution drama, "The Dead Heart"
(Sept. 28, 1889), Ellen Terry did all she had to do with her usual
taste, and evinced much pathos; but the character afforded her no really
great chance. The occasion was, however, a very interesting one, for
Gordon Craig (Edward Wardell, who had made his first appearance on the
stage in America as the boy Joey, in "The Fate of Eugene Aram") played
with great skill the part of Arthur, the handsome son of Catherine,
after she had become the wife of the Count de St. Valery. It was
pleasant to see the mother and son thus playing together, though looking
at her it seemed almost impossible that the relationship could exist.
Indeed, one writer was induced to predict that the situation would in
due course be reversed, and that Ellen Terry, "blessed with perennial
youth and undecaying beauty, will successfully portray a character, in
some happily-chosen drama, in which she will pose as the daughter of her
own son."
Public-domain text, read in full here on John Shaqi.
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