A very pleasant recollection of these days is Ellen Terry's appearance with John Clayton in Francis Talfourd's pretty comedietta, "A Household Fairy," which, with Mr. H. T. Craven and Miss Wyndham in the two parts that form the cast was first produced at the St. James's Theatre on December 24th, 1859. In later years it was admirably performed at the Globe Theatre, Henry Neville playing Julian de Clifford, and Lydia Foote, Catherine. But the sprightly, warm-hearted, and at the same time serious, "Kitty" of the Queen's added lustre to the author's meaning, and was, as he intended her to be, a veritable fairy of the fireside. [Illustration: HENRY IRVING IN 1868. _It was at this period of his career that he first played with Ellen Terry at the Queen's Theatre. Long Acre._ [_To face page 136._ ] But at the close of this brief engagement Ellen Terry again said _au revoir_ (luckily it was not _adieu_) to the stage, and for seven years her gracious presence was withdrawn from us. During this period she became the wife of Mr. Charles Wardell, a gentleman well known to playgoers as Charles Kelly, the name he adopted when, retiring from his position as an officer in a first-class cavalry regiment, he followed his inclinations and took to the stage. In parts of what may be called a stolid type Charles Kelly had, in his day, no rival, and his successes were many. The character of Richard Arkwright in Tom Taylor's interesting drama, "Arkwright's Wife," was, probably, his greatest original achievement; but, as we shall presently see, he did admirable work in Shakespearean drama as well as in the modern plays in which his services were highly esteemed, and always in request. He was also an excellent comedian. When John Hare first gave his inimitable performance of Lord Kilclare in "A Quiet Rubber" at the Court Theatre, the honours were pretty equally divided between him and Charles Kelly, who, as the hasty-tempered but high-minded Irish gentleman, Mr. Sullivan, gave a masterly sketch of Hibernian character. We were all sorry when our well-beloved petrel once more betook herself to the freedom of the winds and the waves; but we waited patiently in the certain hope that she would again return to the shore fringed by the footlights. In the earliest days of 1874 London theatre lovers who were not behind the scenes were puzzled as to who an "eminent actress" could be who, "after a long period of retirement," was announced to appear at the Queen's Theatre as the heroine of Charles Reade's drama, "The Wandering Heir." With Mrs. John Wood in the character the piece had already made its mark, but that talented actress was under contract to appear elsewhere, and horses had to be swopped in the middle of a stream. Until almost the last moment the secret of the vague announcement was well kept, and then to the general joy it was discovered that the "dark lady" was Ellen Terry.