Ellen Terry and Her SistersPemberton, T. Edgar (Thomas Edgar)
History
Ellen Terry and Her Sisters
Pemberton, T. Edgar (Thomas Edgar)
Actresses -- Great Britain -- Biography; Terry, Ellen, Dame, 1847-1928
Ellen Terry speaks very affectionately of clever and determined Charles
Reade, and cherishes the memory of the time when she served under his
somewhat formidably waved banner. "Dear, lovable, aggravating,
childlike, crafty, gentle, obstinate, and entirely delightful and
interesting Charles Reade," she calls him--and we may be quite sure that
while she, despite his foibles, understood his great genius and noble
heart, he, in his turn, appreciated her sweet nature and unlimited
talents. Before taking leave of "The Wandering Heir" I must make mention
of Edmund Leathes, who was the original James Annesley of the cast. He
was a gifted as well as a graceful actor, he made his name as an
author, and he vanished from us all too soon.
From the days of 1874 to these of 1901 Ellen Terry has always been with
us. The carrier-dove had this time come home for good, and the message
that she has constantly repeated has been ever a sweet one to those many
thousands who, all unknown to her, not only admire but love her.
CHAPTER VII
IN TOTTENHAM STREET
In 1875 Mr. and Mrs. Bancroft decided to make a bold experiment at the
old Prince of Wales' Theatre in Tottenham Street. In that little
playhouse which, thanks to their taste and admirable management, had
become the favourite resort of playgoers far and near; in the birthplace
and home of the sweet and memorable series of T. W. Robertson's
comedies, they would soar to Shakespeare, and give an elaborate as well
as an artistic production of "The Merchant of Venice."
As far as the company was concerned the cast presented few difficulties.
Charles F. Coghlan, who was deservedly regarded as one of the finest and
most powerful actors of his day, was to have his chance as Shylock, and,
since Mrs. Kendal, who was playing with John Hare at the Court Theatre,
was not available, all that was wanted was an ideal Portia.
She was found in Ellen Terry, and in some ways the engagement was the
most eventful episode in her artistic career. April 17th was the night
of the revival, and even those who had illimitable faith in the
Bancrofts were amazed at the scenic treat that had been prepared for
them. It seemed incredible that such perfect pictures of Venice, exact
in every detail, and painted and modelled from drawings specially taken
from the beautiful city of the sea, could be displayed on the small
stage. They charmed the eye and satisfied the mind. Venice in all its
beauty seemed to have transported some of its loveliest spots to dingy
Tottenham Street, and a convincing colour was given to the performance
such as had not hitherto been seen.
The costumes were equally artistic and appropriate,--the parts had been
well and very carefully distributed, the success of the production
seemed assured,--but in spite of its undeniable, and in many respects
unequalled, excellences, it proved unattractive, and had to be speedily
withdrawn.
Public-domain text, read in full here on John Shaqi.
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