Ellen Terry and Her SistersPemberton, T. Edgar (Thomas Edgar)
History
Ellen Terry and Her Sisters
Pemberton, T. Edgar (Thomas Edgar)
Actresses -- Great Britain -- Biography; Terry, Ellen, Dame, 1847-1928
"I hope he was conscious and had folk he cared for by him.--Yours
ever,
ELLEN TERRY."
She is indeed the most charming of letter writers, and, if it were
permissible, it would be pleasant to fill a chapter with her lively, as
well as sympathetic, correspondence with the famous men and women of her
day; but she very strongly, as well as very rightly, holds the opinion
that to publish private letters intended for one person only is like
asking an audience to put their ears to a keyhole and listen to a
private conversation.
But to return to "Olivia." The beautiful play was produced at the Court
Theatre on 30th March 1878, and at once won its well deserved victory.
The first-night audience having watched the course of the story with
that breathless silence which is the highest form of applause, having
been over and over again moved to tears, became, at the fall of the
curtain, a demonstrative one, and the unrestrained enthusiasm of the
plaudits could be heard without Sloane Square. The critics were in their
appreciation and praises as loud as the audience, and Ellen Terry's
triumph was complete. She was the idolised heroine of a memorable
evening.
"Mr. Wills," said Dutton Cook, "has been fortunate not merely in his
performers, but also in his manager. Mr. Hare demonstrated anew that he
has elevated theatrical decoration to the rank of a fine art; indeed,
his painstaking and outlay in placing the play upon the stage justify
suspicion that it was produced almost as much for its pictorial as for
its dramatic merits. In either case, advantage has been taken of the
opportunity to present a special reflection of the artistic aspects of
the last century with regard to furniture and costumes, china and glass,
&c. A sort of devout care has been expended upon the veriest minutiæ of
upholstery and ironmongery; a fond ingenuity is apparent in every
direction of the scene; and the foibles and fancies of those who love,
or imagine that they love, cuckoo clocks, brass fenders, carved oak,
blue and white crockery, and such matters, have been very liberally
considered and catered for. Prettier pictures have not, indeed, been
seen upon the stage than are afforded by the Primrose family, their
friends and neighbours, goods and chattels, and general surroundings in
this play of 'Olivia.'
Public-domain text, read in full here on John Shaqi.
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