Ellice Quentin, and other storiesHawthorne, Julian
General
Ellice Quentin, and other stories
Hawthorne, Julian
American fiction -- 19th century; Short stories, American
It was not easy to distinguish the horse and man where they lay in
the darkness, and anybody who had not been on the lookout for them
might easily have passed them by in the belief that they were nothing
more than a heap of sea drift. But Sir Norman was under no such
delusion. When he caught sight of them--it was the whiteness of the
Colonel's upturned face that first arrested his glance--he approached
cautiously, with ears alert to detect whatever whispered groan there
might still remain to hear. But there was nothing; the agony had not
been prolonged, and it was over. Colonel Banyon and his horse were both
quite dead. Sir Norman had certainly anticipated nothing else, and yet
the visibility of the fact gave him a start. Colonel Banyon had been so
very much alive a few minutes before, and now he was so very lifeless!
The handsome, gallant, dashing officer, who had been so overflowing
with hopes and projects, and love and laughter, was now suddenly
become inert and devoid alike of thought and passion, good or evil. It
was so impressive that it affected Sir Norman almost like something
theatrical. The Colonel appeared to him for a moment to be acting a
part. When the curtain came down, he would get up, like Mr. Betterton
in 'Hamlet,' and come out and make his bow before the audience. But
unfortunately there is no curtain in these cases, and the poor actor,
having died with what realism he can command, is obliged to remain dead
indefinitely.
The surf, now breaking near at hand, reminded Sir Norman that he also
had a part to enact. Not that he had been altogether idle since leaving
Kildhurm Towers; but he had accomplished only the preliminary portion
of the work which he had resolved to perform. In looking forward to
this night's occupations, he might have been led to suppose that the
murder would be more difficult to an unpractised hand than the robbery;
but experience proved that the truth was just the other way. To hurl
his victim over the cliff had been an excitement--fierce, and, in a
certain sense, pleasurable. But this despoiling the corpse in cold
blood afterwards was neither pleasant nor exciting; and yet it had
to be done, else all the benefit of the murder would be thrown away.
To kill, moreover, was aristocratic; Sir Norman's ancestors had won
renown by doing no more than he had just done; but to pick a pocket
was plebeian, and none of his ancestors, so far as he was aware, had
ever been guilty of that. But again, there was no escape from it--or
only one escape! Sir Norman might, if he chose, return to his horse,
mount him, ride him up the cliff, and leap him over the verge to a
resting-place here beside the Colonel. By this means, and by this
only, could he avoid the logical necessity of pocket-picking, and at
the same time conceal, and perhaps in some measure expiate, the crime
already committed. Sir Norman thought of all this, and weighed the
question for a moment in his mind. Should he go on, or should he turn
Public-domain text, read in full here on John Shaqi.
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