Ellice Quentin, and other storiesHawthorne, Julian
General
Ellice Quentin, and other stories
Hawthorne, Julian
American fiction -- 19th century; Short stories, American
Eh?--safe?--why not?' returned he, rousing himself from his reverie. 'A
peep through a telescope ought not to upset a young fellow who has seen
Europe, and got a double first! Besides, my dear, you mustn't expect
that he will see as much as you can!--well, at all events, you can let
him see the observatory and the arrangements, and then, if it seem
advisable to put off the rest till another evening, why, so be it!'
Diana stood silent a few moments, with her head lifted, in an attitude
common with her, looking out into the night. Then she moved towards
her father with a slow, sauntering, royal step--no other woman ever
trod as she did--and, placing her hand within his arm, drew him to
the window. They had some conversation together in an undertone; I
did not willingly listen to it, and I cannot even be sure that what
I heard was not--in part at least--the creation of my own fancy. But
my invalid condition had made my hearing, as well as my other senses,
preternaturally acute, and the conversation seemed to me to run
somewhat thus:
'Did you see his face, as he lay there?' Diana had asked.
'Yes, my dear; a good-looking set of features enough: what then?'
'Don't jest about it, father.'
'Well, well, my dear, I see what you are driving at. Yes, there is a
resemblance, certainly; I noticed it from the first; but it might occur
in a dozen or twenty instances beside this one. There are more handsome
fellows in the world than you think for!'
Diana smiled. 'And the day--is that an accident, too, father? And--'
here she pointed upwards, apparently at a certain constellation near
Orion--'is that conjunction one that might occur again?'
'Now, Diana! no fatalism! Be yourself, my little girl!'
'But ... it frightens me, father!' she murmured, with a sudden
tremulousness, clinging closer to his arm, and leaning her cheek on his
broad shoulder. But at this juncture, being determined to hear no more,
I got up from the sofa, and, walking to the other end of the room,
began to turn over a portfolio of drawings that was resting on an easel
there. I had just come upon one representing a young man in a reclining
posture, the right knee drawn up, the left arm hanging relaxed, and the
head bowed forward in a shadow that obscured the face, rendering its
contour indistinguishable:--I was just examining this sketch when my
uncle and cousin, still arm-in-arm, approached.
'Your lunar passport is made out,' said the former; 'and here is the
courier to guide you thither, if you feel equal to the journey. Ah!'
he added, bending over the sketch that I still held in my hand, 'how
does that design strike you?'
It puzzles me!' I replied. 'In the general pose it is very like a
famous antique bas-relief of Endymion that I remember seeing in Rome,
and which is supposed to date back to the time of Phidias.'
'An antique bas relief of the time of Phidias!' repeated my uncle,
musingly. 'How now, Diana!'
Public-domain text, read in full here on John Shaqi.
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