Ellice Quentin, and other storiesHawthorne, Julian
General
Ellice Quentin, and other stories
Hawthorne, Julian
American fiction -- 19th century; Short stories, American
The crimson tint, at first deep and turgid, gradually cleared, until
it shone like the purest ruby. A kind of fermentation, momentarily
increasing, seemed to be at work within it, and I presently noticed
minute currents of blue twisting about like tiny serpents, and
multiplying as they moved, until the crimson grew to violet, which, in
the course of a few minutes, cleared and strengthened in its turn to
a brilliant and superb purple, perfectly translucent, and emitting a
lustre so powerful as partly to reveal the figure of Diana, kneeling,
with her hands folded upon her lap, in an attitude of thoughtful
contemplation. But the fermentation was not yet complete. Again the
slender serpents twined and wreathed themselves, dispelling more
and more the remaining rays of crimson, and creating a uniform and
ever-intensifying light of azure. It was an azure as pure as that of
an Egyptian sky, but possessing a wealth and sparkle of colour such as
no atmosphere can rival--the sparkle of the ideal sapphire which no
lapidary has yet discovered.
'What causes this?' I whispered at length; 'and how is it to end?'
'It is the moon purging the elixir of its last earthly impurities,
and making it fit to hold its image,' replied Diana, gravely. 'These
changes that you see following each other so rapidly would ordinarily
last for days; it is the power given to the rays by the other lenses
that hastens the work. See! the blue is already becoming green: now the
green brightens into yellow: and now....'
As she spoke, the fermentation gradually ceased; the liquid, having
passed through all the preparatory stages, now gleamed white and pure
as a diamond. The illumination which it gave forth was so intense, and
yet so soft, that it permeated the whole chamber with an unearthly
radiance--with the cold, colourless radiance of another world. It was
as if the spirit of the moon, obeying the mandate of some irresistible
spell, were present with us in that ancient tower.
'It is finished!' said Diana, with a vibration of solemnity in her
tones. 'The moon is as near us now as the valley over which you saw her
rise this evening. Are you ready?'
Why did I hesitate? The moment for which I had so ardently wished was
come. I needed but to turn my face to behold a spectacle which no
human beings save Diana and her father had yet looked upon, and which,
perhaps, none other than ourselves might ever see. Was it fear that
withheld me? Fear of what? Of the revelation on the brink of which I
stood? or of myself?
'Are you ready?' Diana repeated.
'No!'
She gazed at me with eyes in which I dreaded to detect indignation or
contempt. But no!--their glance was of grave and searching inquiry,
nothing more. I forced myself to attempt an explanation of what I
myself did not understand.
Public-domain text, read in full here on John Shaqi.
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