Ellice Quentin, and other storiesHawthorne, Julian
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Ellice Quentin, and other stories
Hawthorne, Julian
American fiction -- 19th century; Short stories, American
'Upon my word, Montgomery, I fail to catch your drift.'
'Well--the long and short of it is she's been flirting with you.'
'With me? You surprise me.'
'You see she didn't want you to suspect our engagement. You remember
that first conversation you had with her, when she made those allusions
to my height, and said she hated Americans, and so on?'
I made a sign of assent.
'When she said those absurd things, though only in fun, she did not
know that I was her intended; and when, a few hours later, we found
each other out, she naturally felt annoyed at having spoken of me to a
stranger in such terms. You understand?'
'Pray go on,' I said, taking up my palette and brushes and standing
before the canvas, so that my face was turned from the speaker.
'So she begged her mother and me not to let you suspect; and the more
thoroughly to lull your suspicions (and also because the girl is a born
flirt, as all feminine women are) she--just--you know what--made love
to you in a mild way, I suppose.'
Jeff paused. 'The man is mad--raving mad!' I muttered, still making
pretence of retouching my background. Jeff flowed on.
'Of course a man like you, a man of the world, a great artist, and
getting on in the forties--of course I knew you'd only be amused, and
would take nothing seriously; and you know you scoffed at the notion of
matrimony when I asked you about it. But still she can be so attractive
when she chooses that latterly I began to fear you might be the least
bit fetched, after all. I told Allie I'd never forgive her if it turned
out so.'
'Told--_who_?'
'Allie--Almara, you know. We always called each other "Allie" and
"Jeffie" in our letters.'
'Letters? You corresponded, then?'
'Regularly--for the last five years.'
'I see; and--and so it's been a settled thing--but--is this your first
meeting?'
'Yes, and that is what made it so amusing. It had been arranged, you
know, that I was to meet them in Paris on the 20th----'
'Meet whom? You must excuse me, but you have such an unsystematic way
of imparting your information. I'm a bit confused.'
'To meet the Semaroffs. The Count is the Russian commissioner with whom
we are in treaty about the cigarette-holders. We were to be formally
betrothed in Paris, Allie and I----'
'Would you mind calling her the Countess Almara in speaking of her to
me? I--I have unpleasant associations with the other name. Go on.'
'The point is that, happening to stop here on my way, I was a good deal
taken with the "beautiful pagan," without of course knowing who she
was; and I might have made myself very unhappy about her if it hadn't
been for you.'
'Eh?'
'Yes, a fact. The first I knew of my pagan maid being one and the same
with Allie--Countess, I mean--was your mentioning her name to me that
first day at breakfast. Don't you remember my remarking how strangely
things came out? It was accident our both happening to be here, but it
was you who made us known to each other. Wasn't it curious?'
Public-domain text, read in full here on John Shaqi.
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