Ellice Quentin, and other storiesHawthorne, Julian
General
Ellice Quentin, and other stories
Hawthorne, Julian
American fiction -- 19th century; Short stories, American
'Very curious, very amusing, the whole thing--ha, ha! And so that story
about the three hundred a year was--part of your poem, I suppose?'
'Not at all. But the Countess Almara being my papa's selection, I
risked nothing in marrying her. I tried to explain it to you at the
time, but you pitched into me so, and insisted upon my leaving her and
marrying somebody else, that at last, just for the fun of the thing, I
allowed you to believe that I was really as great a fool as you took me
for.'
Hereupon ensued a pause of some minutes. Jeff, I believe, lit a
cigarette. What I did I have no recollection; but I must have remained
standing before the easel. At length I felt that Jeff was standing
behind me.
'It couldn't be better, really,' he said. 'They'll like it so much at
home.'
'Beg pardon?'
'It's to go to Boston, you know, to give papa and mamma an idea of how
their daughter-in-law looks. Ah! you've put in the ring, too. I'm glad
of that. Handsome ruby, isn't it?'
'An antique. Such rings are not made nowadays.'
'Except by Tiffany; he manufactures them after the antique models. I
got this at his store in New York six months ago, and paid fifteen
hundred dollars for it. By the way, my dear Campbell, how much will
this sketch be?'
'Hum, let me see. How long have I been over it?'
'Just six days.'
'Well, then, I'll let it go for six thousand pounds. I don't care to
make money out of friends.'
The smoke of Jeff's cigarette got into his windpipe; and while he was
coughing the door opened, and the two countesses, followed by the
Count, came in.
After the portrait had been criticised and the compliments exchanged I
drew near to Almara, who was standing apart from the others, near the
easel.
'Countess, permit my congratulations.'
There was a slight involuntary quivering of the eyebrows and of the
corner of her mouth, and she kept her eyes upon the portrait as she
said in a low tone--
'You know it, then?'
'Your future husband has just told me.'
She shifted her position a little, and began to blush slowly.
'I have included a portrait of the ruby, you observe,' I went on. 'Are
you satisfied with it?'
'Very well--excellent,' she said mechanically.
'I was not sure whether you might prefer to have it omitted. That
evening on the beach--you remember,--you seemed to wish it out of the
way. I will conjure it away even now, if you say the word,' and I took
up the palette and brushes.
There was a pause: she understood me; the colour gradually left her
face, which she still kept averted. At length, with a perceptible
effort, she said--
'It had better remain.'
'I think so too,' I said, laying down the palette. The company was now
prepared to depart.
'Before you go, Countess, I wish--merely out of curiosity--that you
would tell me one thing.'
'Well, monsieur?'
'Are you an angel or a devil?'
Then at last she raised her face, pale as marble, and her black eyes
met mine in a quiet, strange look. She shrugged her shoulders slightly.
Public-domain text, read in full here on John Shaqi.
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