Ellice Quentin, and other storiesHawthorne, Julian
General
Ellice Quentin, and other stories
Hawthorne, Julian
American fiction -- 19th century; Short stories, American
I took pains to keep Floyd from any knowledge of my sudden poverty,
because, especially should it ever chance to leak out that his estate
was a present from me, I knew well enough what his generous heart would
prompt him to do. So I let him sail for the New World without seeing me
again. He remained on that side of the Atlantic; and after writing me
one letter, which, upon reflection, I thought it best not to answer, we
became lost to each other, so far as any communication was concerned.
Nevertheless, I always thought of him as my dear and only friend, and I
never doubted that I was as dear to him as he to me.
I may as well add, lest I should acquire a reputation for generosity
which I was far from deserving, that my changed fortunes troubled me
very little. In fact, I rather enjoyed the new order of things. I had
always fancied I could paint pictures, and cherished a secret ambition
to live by my brush. Here, then, was my opportunity. I went on the
Continent; became a student of the Quartier Latin in Paris; wandered
thence to Italy; and so, after several years of careless Bohemian
existence, I found myself at length in Dresden. I hired part of a small
third _étage_ on the Bautznerstrasse, set up my easel, and divided my
time between that, the Gallery, and the music gardens. For six months
all went well; then happened the event whereof I am now to write, and
which threatened to upset my plans, my ambition, my self-respect and my
peace of mind. And now, my digressions having run themselves out, I can
no longer put off recounting the mortifying particulars.
Really, now I am in for it, there seems to be next to nothing to tell.
I had left my rooms, as usual, about half-past two in the afternoon,
and passing through the Neustadt, I crossed the old bridge, and
entered the Altstadt by way of the Georgen Thor. At the window of the
Porzellan-Fabrik I stopped to look at a beautiful painted vase which
was on exhibition within. While I was standing there, a lady and
gentleman passed, and the lady, catching sight of the vase, made her
companion pause while she examined it. I knew that this was occurring,
though I did not turn my head to look. But as I was about to withdraw,
I happened to see the dim reflection of the lady's face in the
broad pane of the window. It struck me as being a face with which I
was familiar. I turned, startled and by no means pleased, and gazed
straight at her. The suddenness of my movement attracted her attention,
and she returned my look for a moment. Did I know her! I turned red,
pulled off my hat, and made my awkward obeisance. All I got in return
for it was a half-puzzled, half-repellent glance of non-recognition.
She was right, of course; I did not know her, after all. I must have
been of a fine crimson by this time! But stop--could I be mistaken? Did
I not know her?... Yes!--No!...
Public-domain text, read in full here on John Shaqi.
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