Elson Grammar School Literature, book 4Elson, William H. (William Harris)
General
Elson Grammar School Literature, book 4
Elson, William H. (William Harris)
Readers
The appeal of his poetry is to the sentiment of beauty--the one appeal,
which according to his theory is the final justification of any poem.
Language is made to yield its utmost of melody. "The Raven" was first
published in January, 1845, and immediately became and remains one of the
most widely known of English poems. It can be mentioned anywhere, without
apology or explanation and there is scarcely a lover of melodious verse who
cannot repeat many of its lines and stanzas.
Every reader of Poe's prose will be impressed with the charm of the
language itself, the fascination of the vivid scenes and the magic touch
like the Necromancer's wand, which removes these scenes into the uncharted
realm of the supernatural and invests them with a kind of sacred awe.
* * * * *
A DESCENT INTO THE MAELSTRÖM
EDGAR ALLAN POE
WE had now reached the summit of the loftiest crag. For some minutes the
old man seemed too much exhausted to speak.
"Not long ago," said he at length, "and I could have guided you on this
route as well as the youngest of my sons; but, about three years past,
there happened to me an event such as never happened before to mortal
man--or at least such as no man ever survived to tell of--and the six hours
of deadly terror which I then endured have broken me up body and soul. You
suppose me a _very_ old man--but I am not. It took less than a single
day to change these hairs from a jetty black to white, to weaken my limbs,
and to unstring my nerves, so that I tremble at the least exertion, and am
frightened at a shadow. Do you know I can scarcely look over this little
cliff without getting giddy?"
The "little cliff," upon whose edge he had so carelessly thrown himself
down to rest that the weightier portion of his body hung over it, while he
was only kept from falling by the tenure of his elbow on its extreme and
slippery edge--this "little cliff" arose, a sheer unobstructed precipice of
black shining rock, some fifteen or sixteen hundred feet from the world of
crags beneath us. Nothing would have tempted me to within half a dozen
yards of its brink. In truth so deeply was I excited by the perilous
position of my companion, that I fell at full length upon the ground, clung
to the shrubs around me, and dared not even glance upward at the sky--while
I struggled in vain to divest myself of the idea that the very foundations
of the mountain were in danger from the fury of the winds. It was long
before I could reason myself into sufficient courage to sit up and look out
into the distance.
"You must get over these fancies," said the guide, "for I have brought you
here that you might have the best possible view of the scene of that event
I mentioned--and to tell you the whole story with the spot just under your
eye.
Public-domain text, read in full here on John Shaqi.
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