Adjoining this house, at the south-west corner, next the garden,
stands a building generally known as "+Prior Crauden's Chapel+,"
having been founded by John de Crauden, prior of Ely (1321-1341), as a
private chapel attached to his residence, and built under the
direction of Alan de Walsingham, the skilful architect of the Octagon.
It is most interesting for the rich remains of architectural beauty
which it displays. "It is," says Mr. Rickman, "one of the most curious
and valuable Decorated remains in the kingdom; its ornaments are of
the best character, and well executed, and the whole design is of
great excellence." It belongs to the Deanery, but was for many years
used in connection with the adjoining house, having been converted
into three rooms by floors inserted; these floors have been removed,
and the chapel in some degree restored; some of the windows which had
been closed have been re-opened, and the eastern one filled with
stained glass, the gift of Mrs. Smart. It is now used as a private
chapel for the Grammar School.
The Chapel stands upon a vault, the floor of which is nearly upon a
level with the surrounding ground; the vault has a groined ceiling
supported by plain columns, and the original entrance was directly
under the west window of the Chapel, but is now on the north side. The
entrance to the chapel is by a staircase which winds within the
buttress at the north-west angle. The length is divided into four
compartments by clustered columns, from the tops of which sprung the
ribs of the vaulting. The first compartment is plain, and was probably
the ante-chapel: the second is ornamented with a double niche, richly
decorated with small columns, pinnacles, crockets, &c.; in the lower
niche the wall is pierced for a small window; the upper one probably
contained a figure: the third and fourth compartments have long
pointed windows, separated into two lights by a mullion. The east end
has ornamented niches in the angles, it projects a little beyond the
compartments, forming a recess, in which is the large window, divided
into five lights, with elaborate tracery. The floor is elevated at the
east end for the altar, and is formed of mosaic tiles; upon the raised
portion is represented the Fall of man, and the remainder is
ornamented with various other figures and devices; some portions are
nearly perfect, but the colouring is greatly faded. Some remains of
fresco painting were discovered on the walls when the restorations
were in progress, and probably the chapel had originally been richly
embellished with colours and gilding, in the style of the period in
which it was built.
We have now an opportunity of glancing at some of the other portions
of the monastic buildings, which formerly extended from the Prior's
Lodge to the gateway, but are now somewhat short of it, as a garden
intervenes.
Public-domain text, read in full here on John Shaqi.
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