Em's husband : $b A sequel to "Em"Southworth, Emma Dorothy Eliza Nevitte
General
Em's husband : $b A sequel to "Em"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
“But, dearest madam, I do not know _how_ to flatter! I speak only the
very truth,” said Em. with a certain childish dignity.
“Truth sometimes flatters. Do not praise me, little girl. I do not
deserve it, and—I cannot bear it. I wish to be _forgiven_, not praised.
To be _forgotten_, not remembered—except by the very few who love me. I
have talked to _you_, young namesake, longer than I have talked with any
one these fifteen years past. My heart seems strangely and tenderly
drawn towards you, little girl. Perhaps it is because you are the child
of one who was my most steadfast friend in a time of terrible trial.
Perhaps, also, it is because you were named for me, and I held you in my
arms and blessed you, when I myself had ‘most need of blessing.’ But all
that would hardly explain the yearning of my soul towards you, my child!
my child!” said the lady as she took the hand of the young girl and drew
her to her bosom.
“Oh! May I tell you something? May I tell you something?” muttered Em.
in tones half smothered with emotion as she leaned on the bosom of the
lady, held there in a close embrace.
“Tell me anything you please, my child.”
CHAPTER XIX
THE GOOD FAIRY
Better to hope, though the clouds hang low,
And to keep the eyes still lifted,
For the sweet blue sky will soon peep through,
When the ominous clouds are drifted.
There never was a night without a day,
Nor an evening without a morning;
And the darkest hour, the proverbs say,
Is just before the dawning.
BALDWIN’S MONTHLY.
“Well, the first time I ever saw your portrait—that one hanging there in
the bridal dress and veil—I loved it. Oh! I loved it so I could have sat
all day and gazed upon it! And every time I have come back to the island
it was not to see any of the beautiful objects, it was to spend all the
time I had to spare in sitting before your portrait and gazing on it.
And now I have _you_!” concluded the girl with a convulsive clasp of the
lady’s form.
“Yes, now you have me,” replied the latter, once more reseating Em. on
the sofa and sitting down beside her. “Now you have me. Therefore I feel
the less hesitation about disabusing your mind about that picture. It is
not my portrait, though very like me. It is my mother’s portrait, taken
in her bridal costume.”
“What! that picture the image of you, dear madam, and yet not you! But
it is beautiful! Beautiful, for all that,” exclaimed Em., gazing from
the face of the lady to that of the picture.
“My mother was a most beautiful woman,” murmured the lady.
“And the portrait which hangs in the long drawing-room of the old
Wilderness manor-house—the portrait of a lady in the costume of the time
of Queen Elizabeth—whose face so much resembles yours and your
mother’s?” said Em. interrogatively.
Public-domain text, read in full here on John Shaqi.
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