Em's husband : $b A sequel to "Em"Southworth, Emma Dorothy Eliza Nevitte
General
Em's husband : $b A sequel to "Em"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
The silence of unutterable emotion fell upon the father and son for a
few moments, and then the old man held the younger one off at arm’s
length and gazed wistfully into his face, saying, as he slowly shook his
white head:
“You are not so much changed since I saw you last on the day you sailed
on that disastrous voyage, my boy; not so much changed, after all.
Somewhat taller and gaunter in form, darker in complexion, and older in
aspect than formerly, but not so much as might have been expected after
seventeen years of captivity among barbarians. I am more changed than
you are, my son. Ah! I have grown very aged in the long years of your
absence and supposed death, Lonny.”
“Yes, father, you and I are both traveling towards—eternal youth.”
“And your mother, Lonny—your mother——”
Here the old man’s voice became choked with emotion.
“Don’t, father, don’t. I heard all that in the city. Strangers to me,
who would not credit my story, yet remembered—could tell me—how——”
Here Lonny’s voice broke down.
“She could not survive the news of that fatal week,” said the commodore,
struggling for self-command. “She could not live to see this day,
Lonny.”
“Don’t, father, don’t! Don’t say that! We know, when we _think_ about
it, that she _has_ lived to see this day, though from a higher sphere.
She has lived in heaven these many years! Father, we _must_ believe
that, because she was so good. And we shall find her there in good time
if we, too, lead good lives! And now, dear sir, tell me of—of Emolyn.”
“Your wife?”
“Yes, my wife! You know it, then? She has told you? I thought so when I
saw her with you, but I was not sure, so I spoke very cautiously of her
to my Cousin Ronald.”
“Yes, she told me,” admitted the commodore, but he did not add how very
recently Emolyn had made her appearance and taken him into her
confidence. To have done so would have involved too much explanation for
the moment.
“How is she and where is she now? I left her fainting. It was hard to do
so——”
“But you could not help yourself, as I was in such a blind fury that I
took you for a ruffian who had frightened her half to death, and so I
ordered you off, and of course to have persisted in staying would have
made matters much worse for the fainting woman.”
“Yes, but how is she and where is she at this moment? I am most anxious
to see her. She recognized me, you know.”
“Yes, and when she recovered from her swoon she became so wild, and
excitable, and reproached us so bitterly for letting you go, and urged
us so strenuously to fetch you back, calling you always ‘him,’ and never
using your name, that we thought her hysterical or delirious, and so
your good aunt gave her a dose of morphia in a glass of port wine to
compose her nerves. I left her sleeping under the influence of the
opiate. You can come to her room, Lonny, and sit by her bed and wait for
her awakening; it cannot be far off now.”
Public-domain text, read in full here on John Shaqi.
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