always part of the bargain that I shouldn’t make him a topic. “How can I successfully serve you if you do?” he used to ask: he was more afraid than I thought he ought to have been of the charge of tit for tat. I didn’t care, for I never could distinguish tat from tit; but as I have intimated I dropped into silence really more than anything else because there was a certain fascinated observation of his course which was quite testimony enough and to which in this huddled conclusion of it he practically reduced me. I see it all foreshortened, his wonderful remainder--see it from the end backward, with the direction widening toward me as if on a level with the eye. The migration to the country promised him at first great things--smaller expenses, larger leisure, conditions eminently conducive on each occasion to the possible triumph of the next time. Mrs. Stannace, who altogether disapproved of it, gave as one of her reasons that her son-in-law, living mainly in a village on the edge of a goose-green, would be deprived of that contact with the great world which was indispensable to the painter of manners. She had the showiest arguments for keeping him in touch, as she called it, with good society; wishing to know with some force where, from the moment he ceased to represent it from observation, the novelist could be said to be. In London fortunately a clever man was just a clever man; there were charming houses in which a person of Ray’s undoubted ability, even though without the knack of making the best use of it, could always be sure of a quiet corner for watching decorously the social kaleidoscope. But the kaleidoscope of the goose-green, what in the world was that, and what such delusive thrift as drives about the land (with a fearful account for flys from the inn) to leave cards on the country magnates? This solicitude for Limbert’s subject-matter was the specious colour with which, deeply determined not to affront mere tolerance in a cottage, Mrs. Stannace overlaid her indisposition to place herself under the heel of Cecil Highmore. She knew that he ruled Upstairs as well as down, and she clung to the fable of the association of interests in the north of London. The Highmores had a better address--they lived now in Stanhope Gardens; but Cecil was fearfully artful--he wouldn’t hear of an association of interests nor treat with his mother-in-law save as a visitor. She didn’t like false positions; but on the other hand she didn’t like the sacrifice of everything she was accustomed to. Her universe at all events was a universe full of card-leavings and charming houses, and it was fortunate that she couldn’t Upstairs catch the sound of the doom to which, in his little grey den, describing to me his diplomacy, Limbert consigned alike the country magnates and the opportunities of London. Despoiled of every guarantee she went to Stanhope Gardens like a mere maidservant, with restrictions on her very