He’d
be vulgar, he’d be rudimentary, he’d be atrocious: he’d be elaborately
what he hadn’t been before. I duly noticed that he had more trouble in
making “everything else” literary than he had at first allowed for;
but this was largely counteracted by the ease with which he was able to
obtain that his mark should not be overshot. He had taken well to heart
the old lesson of the _Beacon_; he remembered that he was after all
there to keep his contributors down much rather than to keep them up. I
thought at times that he kept them down a trifle too far, but he
assured me that I needn’t be nervous: he had his limit--his limit was
inexorable. He would reserve pure vulgarity for his serial, over which
he was sweating blood and water; elsewhere it should be qualified by
the prime qualification, the mediocrity that attaches, that endears.
Bousefield, he allowed, was proud, was difficult: nothing was really
good enough for him but the middling good; but he himself was prepared
for adverse comment, resolute for his noble course. Hadn’t Limbert
moreover in the event of a charge of laxity from headquarters the great
strength of being able to point to my contributions? Therefore I must
let myself go, I must abound in my peculiar sense, I must be a resource
in case of accidents. Limbert’s vision of accidents hovered mainly
over the sudden awakening of Mr. Bousefield to the stuff that in the
department of fiction his editor was palming off. He would then have to
confess in all humility that this was not what the good old man wanted,
but I should be all the more there as a salutary specimen. I would cross
the scent with something showily impossible, splendidly unpopular--I
must be sure to have something on hand. I always had plenty on
hand--poor Limbert needn’t have worried: the magazine was forearmed
each month by my care with a retort to any possible accusation of
trifling with Mr. Bousefield’s standard. He had admitted to Limbert,
after much consideration indeed, that he was prepared to be perfectly
human; but he had added that he was not prepared for an abuse of this
admission. The thing in the world I think I least felt myself was an
abuse, even though (as I had never mentioned to my friendly editor) I
too had my project for a bigger reverberation. I daresay I trusted mine
more than I trusted Limbert’s; at all events the golden mean in which
in the special case he saw his salvation as an editor was something I
should be most sure of if I were to exhibit it myself. I exhibited it
month after month in the form of a monstrous levity, only praying heaven
that my editor might now not tell me, as he had so often told me, that
my result was awfully good. I knew what that would signify--it would
signify, sketchily speaking, disaster. What he did tell me heartily was
that it was just what his game required: his new line had brought with
it an earnest assumption--earnest save when we privately laughed about
it--of the locutions proper to real bold enterprise.
Public-domain text, read in full here on John Shaqi.
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