Embassy to the Eastern Courts of Cochin-China, Siam, and Muscat: In the U. S. Sloop-of-war Peacock, David Geisinger, Commander, During the Years 1832-3-4Roberts, Edmund
History
Embassy to the Eastern Courts of Cochin-China, Siam, and Muscat: In the U. S. Sloop-of-war Peacock, David Geisinger, Commander, During the Years 1832-3-4
Roberts, Edmund
Southeast Asia -- Commerce; Southeast Asia -- Description and travel
During the posture-dances, and through a considerable part of the
divertisement, the principal singer to all splendid entertainments, the
prima donna, squalled to the very top of her voice, various ditties
in a melancholy strain, until I thought she would have swooned from
exhaustion: but I was mistaken; for she was made of tougher materials,
than ever fell to the lot of any other female. She was seated on the
ground, and dressed in a dingy cotton waist and breast cloth, and her
hair arranged “à la Siamese;” it being all shaved off excepting on the
crown, which was combed perpendicularly, standing “like quills upon
the fretful porcupine.” Her teeth were as black as ebony, and her lips
and gums were of a livid red: out of the corners of her mouth issued
a stream of dark coloured saliva, which, ever and anon, she wiped off
with the back of her hand, and which was finally deposited on the
waist-cloth behind: the saliva was produced by masticating areca,
siri, chunam and tobacco; the latter projecting from the right corner
of her mouth, according to the disgusting practice of the Javanese
and Siamese. A Catalani, a Sontag or a Garcia, could not feel much
flattered by this addition to their sisterhood. When the actors enter
on the floor, it is in a crouching or kneeling position, till they come
in front of the master of the feast; then all kneel, bow their heads,
and at the same time touch their foreheads with their united hands, and
then slowly lower them to the waist. The second night’s entertainment
consisted mostly of representations of gladiators engaged in combat,
fighting with swords and sticks, while numerous Chinese crackers were
let off in imitation of musketry: there were pugilistic contests also
with the fists, and slapping with the flat of the hand; but there was
no real “set-to.” There was also a most excellent company of vaulters
and tumblers; some of the feats were truly surprising, as the following
description will show: it was a feat of strength, which surpassed every
thing of the kind that I ever witnessed. Four men placed themselves in
a solid square, two others then got up and stood upon their shoulders,
and another man again upon theirs; a very athletic young man apparently
about sixteen years of age, by the assistance of a ladder, placed
himself in a similar position, on the shoulders of the last man,
standing however only on one foot, occasionally shifted; a boy of about
twelve, then mounting a ladder high enough for the top man to seize him
by a belt round the waist, he was raised at arms’ length with perfect
ease, standing on one leg, and occasionally shifting it to the other.
After balancing him for a minute or two he threw his burden from him,
who descending turned a somerset and came without harm on his feet,
being pitched from an elevation of about twenty-four feet. There were a
great many hundred spectators all sitting on the floor, excepting the
wives and relations of the master of the feast, who sat in a narrow
Public-domain text, read in full here on John Shaqi.
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