Embassy to the Eastern Courts of Cochin-China, Siam, and Muscat: In the U. S. Sloop-of-war Peacock, David Geisinger, Commander, During the Years 1832-3-4Roberts, Edmund
History
Embassy to the Eastern Courts of Cochin-China, Siam, and Muscat: In the U. S. Sloop-of-war Peacock, David Geisinger, Commander, During the Years 1832-3-4
Roberts, Edmund
Southeast Asia -- Commerce; Southeast Asia -- Description and travel
We entered at length the vestibule through a line of soldiers, and
passed to the right of a Chinese screen of painted glass, into the
presence of his majesty. There lay prostrate, or rather on all fours
resting on their knees and elbows, with hands united and head bowed
low, all the princes and nobility of the land: it was an impressive
but an abasing sight, such as no freeman could look on, with any other
feelings than those of indignation and disgust. We halted in front of
the presents which were delivered the day previous, being piles of
silks, rich fillagreed silver baskets, elegant gold watches studded
with large pearls: they were well disposed to make a show. Having gone
through the first ceremony of bowing, we sat down on a carpet: on our
being seated the prostrate slaves around us (being the great men of
the land) bowed simultaneously three times to the ground, in a slow
solemn manner, and we joined in the ceremony as had been previously
agreed upon. The king was seated under a canopy, in the Asiatic style,
on a cushion of red silk velvet, on the lower and more advanced of
the two thrones, which occupied the upper end of the apartment: this
was a square seat raised some half dozen feet from the floor. Every
thing was blazing in gold, in and about the two thrones: the larger
and unoccupied one was of an hexagonal shape, and resembled a church
pulpit, so that the king’s person when seated in it, can be visible
only through the open spaces, in the form of Gothic windows, about four
feet in height by one and a half and two in width. One of these windows
is in front, and one on each side of the throne. A pair of curtains of
gold cloth formed a partition between him and several individuals of
the royal family, who lay crouching just without, on separate carpets,
leaving a wide open space between the throne and the two interpreters,
who were midway of the hall. Before the curtain and on either side,
were eight or ten umbrellas of various sizes: these consist of a series
of canopies of eight or ten tiers, decreasing in size upward.
Public-domain text, read in full here on John Shaqi.
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