Embassy to the Eastern Courts of Cochin-China, Siam, and Muscat: In the U. S. Sloop-of-war Peacock, David Geisinger, Commander, During the Years 1832-3-4Roberts, Edmund
History
Embassy to the Eastern Courts of Cochin-China, Siam, and Muscat: In the U. S. Sloop-of-war Peacock, David Geisinger, Commander, During the Years 1832-3-4
Roberts, Edmund
Southeast Asia -- Commerce; Southeast Asia -- Description and travel
They wear no jewels, these being used altogether by the children,
their dress consisting only of a waist and breast cloth of dark silk.
A little music, the dancing girls, actors, and tumblers, occasionally
exhibited, chess, colouring their skin yellow with turmeric, and
anointing the tuft of unshorn hair on the top of their head; scandal,
with frequent dissensions, the natural consequence of a plurality
of wives; no riding out, seldom paying visits, and rarely diverting
themselves with shopping, the almost unvaried repetition, from day
to day, of the same dull round of occupations and amusements, cause
their lives to drag on wearily, heavily, and listlessly. Long nails
being considered a sort of patent of nobility by the Siamese, as well
as the Chinese and Cochin-Chinese, draw a certain line of distinction
between the vulgar, who are obliged to wear short ones and work
for their living, and the higher orders. Those of the latter are
carefully preserved from being broken, but not quite so much pains
being taken to keep them clean, they are generally disgusting in their
appearance--some of them are full two inches in length, and are put
into cases of bamboo or metal on retiring to rest. The female actresses
wear silver-pointed cases to them, which curve backward with a high
sweep, nearly touching the wrist.
The higher orders of nobility, in fact, all who are allowed to crawl
as far as the lowest place within the palace, and all the officers
of state, must pay a morning and an evening visit to the “Lord of
the White Elephant,” to his “_golden-footed majesty_,” “the master
of all men’s lives.” Not to attend regularly, is considered a mark
of disrespect and disaffection to the king: sickness, or some great
calamity, only, is good cause for excuse.
Regularly, at half past eight in the morning, the praklang passed the
mission house, having about a dozen paddles to his long canoe, sitting
cross-legged or sidewise under the palm-leaf awning, or reclining on a
carpet and cushions, a slave crouching on all fours in front of him,
administering to his comforts in lighting a cigar, or helping him to
areca. His palanquin (or rather a lacquered hand-barrow) protected
from the rays of the sun by a large umbrella, was carried in the same
boat, so as to be in readiness, on landing, to carry his unwieldy
person to the palace. About noon, he returned. Between six and seven,
he again regularly passed, and returned again usually about midnight.
The paddlers on the numerous boats crouched low when he passed, as
they all do when passing by the king’s bathing-house on the river: he
never notices, in the slightest degree, their obeisance, but wo to them
if they omit it. The bath-house is of great length, painted red, and
decorated in front with numerous dwarf-trees and shrubs, and is used,
it is said, daily, by his hundreds of (some say, eight hundred) wives
and many scores of children, with their countless attendants.
[Sidenote: ANNUAL OATH OF ALLEGIANCE.]
Public-domain text, read in full here on John Shaqi.
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